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Brown : Review

There is something oddly comforting about seeing Karisma Kapoor refuse nostalgia. At a time when many stars from the '90s are carefully protecting their...
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Maa Behen: Review

Maa Behen For decades, the phrase ‘Maa-Behen’ clubbed together has existed as an insult, thrown casually into conversations, road rage arguments and social media comment sections. Director Suresh Triveni...
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Made in India: A Titan Story review

  At first glance, Robbie Grewal's Made in India: A Titan Story, a six-part series about the birth of Titan Watches sounds like the kind...
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Sarzameen: Review

  In 2000, Vidhu Vinod Chopra’s Mission Kashmir gave Indian cinema a powerful, emotionally searing portrayal of radicalisation, trauma, and the Kashmir conflict, anchored in...

Saiyaara: Review

  After what honestly feels like a hundred years of Bollywood force-feeding us love stories wrapped in toxic masculinity, age gaps wider than our attention...

Review: Aap Jaisa Koi

  It’s safe to say that globally, viewers have been pining for a rom-com which carries the same freshness and originality of early 90s flicks.  But...

Metro In Dino: Review

  There’s a tender chaos to Anurag Basu’s Metro In Dino, a film that stumbles, dances, and ultimately embraces the imperfect poetry of urban love....

Review: The Wrong Gods, Belvoir St Theatre

The Wrong Gods, the third play written by S. Shakthidharan (also co-director) presented by Belvoir St Theatre, is a powerful story of displacement, familial...

Review: Jewel Thief – The Heist Begins (Netflix)

  Netflix’s Jewel Thief - The Heist Begins lands squarely in the territory of glossy, escapist entertainment. Directed with a clear love for stylish frames...

Review: The Narrow Road to the Deep North

  It’s likely that you’ve seen posters of The Narrow Road to the Deep North, all over Sydney and in the five days since its...
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