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Fivefold. Five-Star. Sridevi Nrithyalaya’s ‘Aindhu’

Sridevi Nrithyalaya It is considered rare in today’s society for anyone to have an attention span of more than a few minutes.  However, Sydney dancers...

Anuv Jain left his Dastakhat on Sydney

Anuv Jain There is a quiet that falls over a venue right before Anuv Jain walks on stage. It isn't the restless hush of an...

Paasbaan: Protecting the precious, by sword or by sacrifice

  Paasbaan, a Kathak musical production, staged by Ruchi Sanghi Dance Company at NIDA in late July was an evocative exploration of loss, sisterhood, revenge,...

Dinsha Palkhiwala’s ‘Bombay Talkies’: Inside an Irani café

Dinsha Palkhiwala's 'Bombay Talkies' The Irani café is a disappearing phenomenon in India. In its heyday it welcomed people of all backgrounds – regular folk,...

‘And What Will People Say’ is breaking the silence on DV

While serving on the board of a women and children’s shelter, Kersherka Sivakumaran often found herself navigating moments of cultural misunderstanding. “There were a few...

Indian Ink’s ‘Balloon Dog’ is Tagore for our trying times

  What does a Rabindranath Tagore story from the 1800s have to do with our current debate over immigration? A lot, according to Indian Ink Theatre...

Review: The Supposed to Be at RISING, Footscray Community Arts

  Imagine if you could clone yourself and live the life you always wanted to before you succumbed to migrant family pressures? the supposed to...
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