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Book Review: Mother Mary Comes to Me

  Arundhati Roy’s Mother Mary Comes to Me is a testament to the one presence that shaped her most — her mother’s rage, searing and...

Rohan Dasika’s musical reincarnation

  For Rohan Dasika, the double bass has always inspired him to look inward. “The biggest thing for me is that feeling of disappearing for...

TOUCH review: Bharatanatyam-Ballet piece skims the surface

  It’s a truth we’re all familiar with as People of Colour, and one that has certainly reared its head as of late; racism is...

South Asian Links at Melbourne and Sydney Fringe 2025

  Quirky comedy, a personalised Veena recital, and immersive theatre on domestic violence are some of the South Asian offerings this year. (Melbourne and Sydney...

Manognya’s ‘Tat Tvam Asi’: The self, reflected through dance

  A complex Advaita Vedanta concept, ‘Tat Tvam Asi’ (or That Thou Art), refers to the idea that the individual’s true self is part of...

From Mysuru to Melbourne: Aman J. Bedi’s fantasy earns global recognition

  When Aman J. Bedi sits down to write, the weight of his journey, from Mysuru to Vizag, Bengaluru, Bangkok, Christchurch, and now Melbourne, inevitably...

‘Copy of the Copy’ and modern dance’s Indian influences

  Bharatanatyam practitioner Dr Priya Srinivasan distinctly remembers her confusion at seeing the ‘mothers of modern dance’ Ruth St Denis and Martha Graham dressed like...
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