Our contributors

Torrsha Sen

A seasoned journalist who observes passage of time and uses tenses that contain simple past, continuous present, and a future perfect to weave stories.

Passport to Cinema : How Bollywood took its audiences around the world

  Much before travel became content and destinations were judged by Instagram aesthetics, Bollywood had already mastered the art of wanderlust. Hindi cinema has long...

India’s Budget 2026: What’s in for NRIs?

  When Finance Minister Nirmala Sitharaman presented the Union Budget 2026 on 1 Feb, the message to India's global diaspora was clear. It is time...

Dr Rondhir Jithoo OAM: Australia Day Honours 2026

  It is with quiet humility that Dr Rondhir Jithoo talks about his OAM honour conferred this Australia Day. “It’s not a recognition of an individual...

Taskaree The Smuggler’s Web Review

  Crime dramas often thrive on discomfort, the unease of watching systems buckle under pressure and individuals forced to make morally difficult choices. Taskaree: The...

Single Papa : Review

  There is something quietly disarming about the Netflix series Single Papa. It does not arrive with the urgency of a social statement, nor does it...

Dhurandhar : Film Review

  With Dhurandhar, director Aditya Dhar returns to the genre that placed him firmly on the map through Uri: The Surgical Strike (2019), but this...

Dharmendra : The He-Man whose words hit harder than his punches

  There are certain lines in Hindi cinema that don’t just live in dialogue books, they live in us. They become common speech, family jokes,...

Review : Baramulla

  n Indian cinema, Kashmir has always occupied a charged space. It is a landscape that has been sung about, fought over, romanticised, politicised, and...

After glory comes the grind: Indian women’s cricket’s next challenge

  For almost three decades, India’s defining cricketing photograph was Kapil Dev at Lord’s, 1983, until MS Dhoni broke the jinx in 2011 and Rohit...