The journal

Stage

Why not English, Vibhinna says, when asked, Why English?

  Bangalore artist Vibhinna Ramdev’s Why English? Layers Beneath the Language, currently playing at the Adelaide Fringe, is a close look at the complex relationship...

Ravi Ravichandhira OAM : Seven Notes of the Noted

  Ravi Ravichandhira’s passion for the development of Indian arts in Australia has led to the establishment of the high profile annual Indian Performing Arts...

Alok Vaid-Menon: Comedy, identity, and the politics of being

  If you’re a South Asian person, you can probably guess why Alok Vaid-Menon calls their show “Hairy Situation”. “I've been a hairy person my entire...

Six and Out summer – proudly brought to you by Macca’s

  Australia’s favourite cricket rockers, Six & Out are back in the swing of things, hitting the road with Macca’s for their Second Innings Tour.  Catch...

Dr Priya Srinivasan: Seven Notes of the Noted

  Bharatanatyam-trained Dr Priya Srinivasan PhD (Creative Australia Asia Pacific Arts Awardee 2024 - Impact, and Game Changer Award Asia Society) is founder director of...

Review: Bandini at La Mama HQ

Bandini at La Mama HQ: 3/5 stars Family violence in Melbourne’s South Asian community is a pressing issue which has sadly become timelier with the...

Sandy Evans OAM: Seven Notes of the Noted

  Sandy Evans received an OAM in 2010 for services to music. A recipient of the Churchill Fellowship to India, she was awarded a PhD...

Dr Puva Arumugam: Using art to share stories of migrant guilt

  Dr Puva Arumugam remembers vividly the day her stepfather left. After a heated argument, he stormed out of the house, declaring that he would...

When Meghna transformed into Satyabhama

  With her immediate stage presence, dancer Meghna Karanam made it known that this would be a very special performance. And it was, for two reasons:...

TOP STORIES

WHAT'S ON