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REVIEW: Come From Away (Sydney’s Capitol Theatre)

  Stories arising from the September 11 terrorist attacks are not hard to find. Tales of personal loss, public grief, and diplomatic declarations of war...

‘Marked for prominence’

  After watching Bharatanatyam dancer Ankitha Shashidhar present her arangetram (debut), one couldn’t help but ponder over the serendipity of her name. It is Sanskrit...

Arangetram, a classical inheritance

  In an interesting moment in Dhanya Dinakar and Pratiksha Chuttar’s recent arangetram (debut performance), the duo moved gleefully to embrace but stopped short, creating...

Best live theatre shows to catch in Sydney and Melbourne

  In the wake of the pandemic, Australia has become a hotbed for the global entertainment industry. With Europe and North America still battling to...

Raghav Handa: TWO’s company

  As the narrative grows around us about the pathology of a deeply polarised contemporary world, one of the techniques suggested to bridge divides is...

A review of Arjun Raina’s Straight From the Horse’s Heart

"Please switch off your cameras, your phones and put yourself on speaker view, not gallery view," announced Arjun Raina, sutradhaar (narrator) of his newest...

Dancing with the mind

Three stalwarts of classical Indian dance let the imagination run wild as they find a place for their art in a contemporary world
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