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Rasana Dance Theatre’s ‘Sringaram’

  Of the nine emotions or ‘rasas’ mentioned in Indian classical dance theory, Sringaram is known as the mother of them all, as it embodies...

Theatre review: Black With Equal, by Sydney’s Natak Mandali

  At the end of the staging of the play Black With Equal in Sydney recently, the question was asked, almost too tentatively: Are we...

Jiva Parthipan’s ‘The River Project‘: And the river flows on

  When my family first immigrated to Australia in 1994, it was in Warwick Farm where we first dropped our worn bags and surrendered our...

Simha the King by Sydney’s Manjula Viswanath

  As the cast gathered for an encore at the end of Manjula Viswanath’s show Simha The King, there were so many of them that...

Zindagi 50-50: Song and dance for a dark, unspoken cause

  To pull off a live song medley within a play, can be a daunting task. The challenge is taken and executed well by lead...

Mahesh Dattani’s Tara: A play by Sydney’s Suparna Mallick

  Sydney actor Suparna (Bobby) Mallick was in the audience at Bangalore when playwright Mahesh Dattani first presented his play Twinkle Tara in 1990. Little...

REVIEW: Kannagi Enbathen Peyare by Samskriti Dance

  The legend of Kannagi, well-known for its many lessons, was brought to life yet again in Sydney in Kannagi Enbathen Peyare. In its latest Sydney...
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