The journal

Visual arts

Sikhism: Teaching ecology

Air is the Guru, water the father, and the earth, the great mother. These words of Guru Nanak Dev Ji are a great truism in...

Dead alive

Love, pain and life. That’s what locally produced indie feature film Khalish is about. Directed by debutant Pakistani Director, Shahmir Naqvi with Melbourne based Indian actors...

Black and white

Young Sydney artist’s work is drawn from wanderlust and a love of nature Immediately arresting, artist Jasmine Solanki’s works of art are beautiful in their...

Like water on hot concrete: Anindita Banerjee wins Wyndham Art Prize

  “I’ve never been a nine-to-five kind of person,” says interdisciplinary artist Anindita Banerjee. Having been creative all her life, she eventually found that her...

India through my eyes

Documentary photographer Anu Kumar explores facets of her Indian identity through a new photographic exhibition. DHANYA SAMUEL writes

Justifying the male gaze and its violence

APARNA ANANTHUNI reviews Jacques Audiard’s award-winning Dheepan, which screened at the Human Rights Arts & Film Festival in Melbourne in May 2017

True to her name

With crisp, flexible movements and lovely expressiveness Alekhya Subramanya’s arangetram was a delight to attend, writes DEEPA GOPINATH

Krishna in Erskineville – but does he belong there?

A controversial new artwork has some Hindus incensed, but the piece by Indian-Australian artist Leon Fernandes is a great talking point. ANEETA MENON reports

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