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Long reads. Or, big fat books

  Many online articles (this one included) tell you upfront the time it will take to read them. This feature is a telling indictment of our...

Simha the King by Sydney’s Manjula Viswanath

  As the cast gathered for an encore at the end of Manjula Viswanath’s show Simha The King, there were so many of them that...

Zindagi 50-50: Song and dance for a dark, unspoken cause

  To pull off a live song medley within a play, can be a daunting task. The challenge is taken and executed well by lead...

Mahesh Dattani’s Tara: A play by Sydney’s Suparna Mallick

  Sydney actor Suparna (Bobby) Mallick was in the audience at Bangalore when playwright Mahesh Dattani first presented his play Twinkle Tara in 1990. Little...

Geetanjali Shree’s ‘Tomb of Sand’ 1st translation from Hindi in Booker Prize shortlist

  Critically acclaimed author Geetanjali Shree‘s novel Tomb of Sand, translated from the Hindi by Daisy Rockwell, has been shortlisted for this year‘s International Booker...

REVIEW: Kannagi Enbathen Peyare by Samskriti Dance

  The legend of Kannagi, well-known for its many lessons, was brought to life yet again in Sydney in Kannagi Enbathen Peyare. In its latest Sydney...

‘Where did my representation go?’: Melb filmmaker Aleisha Winslow

  Indian-Australian filmmaker Aleisha Winslow, 20, has spent the better part of her life working to join the film and television industry. While she harbours...
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