The journal

Arts

Rain or tears?

Indian Link -
Inseparable in life and death, true love endures the ravages of time and tide, writes CHITRADEVI KASILINGAM

Preaching to the audience

Indian Link -
My Cornerstone is an Indian Oz film that looks at racism within the community, kidnapping in India and the church, with a few chuckles along the way, writes MELISSA TWIST

Sydney's raga saga!

Malli Iyer -
Lovers of Carnatic music were treated to a bevy of unique performances that won deserving plaudits, writes MALLI IYER

Tired echoes, heard before

Indian Link -
Khaled Hosseini’s latest offering has a few gems but less of the power and subtlety of his past novels, writes BHAVIN RAVAL

Assertive musings from Mishra at SWF

christopher Cyrill -
Novelist Pankaj Mishra discusses the impact of Western influences on early Asian intellectuals and its current day implications, writes CHRISTOPHER CYRILL

William Dalrymple: Afghanistan archivist at SWF

christopher Cyrill -
William Dalrymple speaking at the SWF recounts the British’s botched attempt at mastering Afghanistan, writes CHRISTOPHER CYRILL

India Links in Oz that go back 200 years

Lena Peacock -
The East of India – Forgotten trade with Australia explores early and current links between the two countries, writes Lena Peacock

Tabla man: Sam Evans

Sujith Krishnan -
An Australian musician has an evergreen passion for an Indian classical instrument, writes SUJITH KRISHNAN

Truths about tribes and trafficking

Indian Link -
Two powerful books highlight very real problems, glossed over in the euphoria of India’s growth, writes CHITRA SUDARSHAN

Marriage as commerce

Indian Link -
Inheritance and danger dowry; the effects of human greed are hard to comprehend, but painful to bear writes RANI JHALA

Vidya Balan: vibrant, vivacious and very very cool

Preeti Jabbal -
She has the oomph of a diva and the grace of a typical Bhartiya Naari. PREETI JABBAL is floored by Vidya Balan

The gift of a mother

Indian Link -
Reliving a life is a painful journey, until it becomes a reality, writes RANI JHALA
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