fbpx

Re-sanctifying the Swastika

Reading Time: 4 minutes

 

Choreographer Raghav Handa’s latest production Cult of The Titans comes with a content warning.

The work contains images of the swastika. … Patrons (have) the opportunity to leave the theatre if they wish.

- Advertisement -

The piece is included in the show New Breed 2020, the Sydney Dance Company’s annual celebration of the best emerging Australian choreography. Handa is one of four choreographers featured in the company’s recent return to the stage after a year of cancelled shows.

Stemming from deep within the choreographer’s Hindu roots, the piece is intended to reclaim the religious symbol swastika, its image tarnished after it was stolen by Nazis.

Synonymous today with fascism, the swastika has for centuries stood for “well-being”, its literal meaning in the ancient Sanskrit language.

“People look at the swastika purely as a symbol of hatred,” Handa lamented to Indian Link.  “Instead, we could actually start a conversation and ask how we can re-sanctify what was originally meant for peace, happiness and good fortune.”

Choreographer and performer Raghav Handa. Source: Sydney Dance Company

Hindu readers may have had this very conversation on more than one occasion with their mainstream friends, perhaps as recently as Diwali only days ago, when the swastika was to be found all over Indian homes, painted on doorsteps and included in floor decorations.

But Raghav welcomed that content warning given he did encounter some minor hiccups in the process.

“One of the performers felt really uncomfortable about rehearsing the piece and carrying on with the performance, which I really respect as everybody is going to have different reactions to this,  so we had to have a change of cast at the last minute,” he revealed.

The intent of the piece is loud and clear from the very outset, with the image of the swastika appearing in the dark, somewhat menacing in its look and feel. Dancers attempt to stand in front of it and move in its imagery.

Dancers Jesse Scales and Luke Hayward representing the “macrocosm” and “microcosm”. Photo by Pedro Greig

Soon, amidst more soothing music, a pair of characters representing the swastika’s Hindu origins are introduced, embodying, as Raghav notes, the “macrocosm” and the “microcosm”.

Their graceful synchronous movements, gentle facial expressions and comfortable multicoloured clothing exude a calming effect. They demonstrate the original unity and harmony that the swastika symbol represents in Hindu culture.

Contrastingly, lurking in the shadows, a group of antagonists stand dressed in dull monochromatic robes that can be interpreted as uniforms.

The group of dancers representing Hitler’s fascist regime. Photo by Pedro Greig

Suddenly and dramatically, one of them infiltrates the pair’s elegant duet by aggressively interrupting their flow. This interruption results in the radical separation of the two entities where one of them is hijacked by the fascist group and forced to dance in their circle.

After a period of visible conflict, the evil-doers’ dance comes to an end representing the fall of the Nazi regime; the two entities struggle to re-unite, portraying the swastika’s attempt at finding its roots in an atmosphere of stigma.

Dancers depicting how the Nazis took over the swastika’s symbolism. Photo by Pedro Greig

Handa said later he didn’t want to create just a piece of “sensationalised art” but intended it to be a valid conversation to be had because “it comes with an intention to unite rather than divide”.

He was glad to report that overall, the work garnered support.

“Leaders of the Jewish community attended the performance to lend their support to this conversation, and I think that was remarkable,” he stated.

The recital forced one to sit up and watch intently. The movements stunned with their stark militaristic choreography as well as subtle glimpses of Indian Kathak mudras, revealing Raghav’s characteristic choreography of a self-described “contemporary language”.

The music composed by James Brown with tabla and vocal stylings of Maharshi Raval and Raghav himself carried one seamlessly through the abstract storytelling.

In the end, the “seductive pull” of the swastika’s tragic mainstream representations stood suitably de-weaponised.

Translating the painful loss of the swastika’s original significance, many would leave the performance with a refreshed opinion, or at least allow it to chip away at the symbol’s prolonged and gross misappropriation.

The work will be performed at Sydney’s Carriageworks until 12 Dec.

READ ALSO: Paradigm shift – Raghav Handa’s latest production

 

- Advertisement -
Bageshri Savyasachi
Truth-telling, tree-hugging journalist.

Related Articles

LEAVE A REPLY

Please enter your comment!
Please enter your name here

- Advertisement -
- Advertisement -

Podcasts

Ep 9: What do young Indians want from love?

0
  Growing up in Indian culture, most of us know that love has never been as popular as marriage. Even in the movies, the main...

Ep 8: Indian links in Indigenous Australian poet Ali Cobby Eckermann’s...

0
  To celebrate NAIDOC week 2020 (between 8-15 November) I spoke to Yakunytjatjara poet Ali Cobby Eckermann about her time in India where she taught...

Ep 7: In the case of Sushant Singh Rajput

0
  The torrid and high-octane Sushant Singh Rajput case has been fodder for Indian people and press for the last few months. The actor’s tragic death...
- Advertisement -

Latest News

REVIEW: Antim – The Final Truth

0
  Director Mahesh Manjrekar's Antim: The Final Truth is a crime drama centred around the circle of fate. Based on the Marathi film Mulshi Pattern,...

The religious discrimination bill will make LGBTIQ+ Australians sick

0
  The Morrison government’s religious discrimination bill was introduced to parliament on Thursday. The bill, now on its third draft, has been a contentious piece of...
ICC T20 WC 2021 delivers record viewership. Pictured here, Indian team captain Virat Kohli with Pakistani team captain Babbar Azam and opener Mohammad Rizwan. Source: IANS

WC 2021: India-Pak match becomes most watched T20I in history

0
  With nearly 10,000 hours of live coverage across TV and digital platforms in 200 countries, the 2021 ICC Men's T20 World Cup delivered a...
jango film

Film Review: Jango

0
  Claimed to be India's first time loop film, Jango is a brave attempt at storytelling. Choosing to make a film knowing fully well that...

REVIEW: Sabhaapathy

0
  Director R. Srinivasa Rao's 'Sabhaapathy' is a light-hearted entertainer that, despite its flaws, just about works. AT A GLANCE Starring: Santhanam, M.S. Baskar, Preeti Verma,...