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Would modes of transport kindly behave themselves

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Pilotless planes, driverless trains. Who’s guiding the world today? No, surely, not our kids?! NURY VITTACHI laments

 
driverless plane and train.Indian Link
I think people would not complain about GM stuff if genetically modified people did useful things like give noisy kids “airplane mode” buttons on their foreheads. “Vibrate only” during scheduled hours would also be helpful.
And if my wife is not reading this, can you kindly make a “Skip to end and agree” button appear somewhere whenever she says, “We need to talk?” Thank you.
plane.Indian Link
Your narrator was thinking about air travel and technology after being told a recent true story about a pilot who was hand-cranking the propeller of his plane only to see the engine fire up and the empty aircraft take off without him.
No one was hurt when it landed some hours later, because this happened in Canada, a country the size of the planet Jupiter, but with only about 100 inhabitants, mostly centenarian moose-herders.
Of course, the diametric opposite of Canada is Macau, which is so small and crowded that if you throw a glass of water out of the window, 65 people will complain that their clothes are wet.
You don’t need to use the ground floor lobby of central Macau hotels; you just crowd-surf in and out of your guestroom window.
The report about the plane flying itself popped up in a conversation I had at an airport, but was topped by a Sri Lankan mate who told a tale of a ghost train which travelled 12 kilometres with no one driving two years ago.
That story was aced in turn by one about a mysterious train which went on a 45-km journey from Bogor, Indonesia, a few years earlier, with the empty drivers’ cabin locked from inside.
I remember railway officials scoffing at the theory that a ghost had commandeered the train, preferring the more scientific line that a god had temporarily materialised inside the cabin.
A frequent flier friend told me about a fighter pilot in East Germany in 1989 who thought his engine didn’t sound right and so used the ejector seat to leave.
pilotless plane.Indian Link
The plane recovered and flew on for about 700 km, crossing East and then West Germany. Air traffic controllers were asked to work out where it would land so that the place could be evacuated.
They answered “Belgium”. It’s hard to evacuate a whole country. Unless it’s Canada, in which case you can just put the population into a bus to a remote bar to spend the evening drinking Molson, which is what they do anyway.
Travellers need not fear pilotless planes. A pilot once told me that large passenger planes have so much technology now they can land themselves. I believe him.
I bought a car recently that’s so hi-tech that the only people who can operate it are my kids. “Press the red thingy and turn the wheel,” they call out from the back seat.
future plane and cars.Indian Link
Truth be told, technology is often poorly thought through. Take digital clocks. How am I supposed to resist pressing the snooze button if it doesn’t give me an electric shock?
Oh well, next time I’m late, I’ll blind my boss with technology. “Sorry, I messed up; my head was in airplane mode.”

On India in Love…and money

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Reading Time: 3 minutes

Romance is more important than money… but India can’t pay its bills with hugs. 

India in Love.Indian Link
 
With books about South Asia or authored by South Asian-origin authors coming out fast and furious, we cast our eyes over two books of non-fiction that are crying out for attention. Although they straddle two entirely different fields, each book is a superb work of scholarly research and writing that any thinking Indian (as readers of this column are!) would find deeply satisfying reads.
Ira Trivedi’s book India in Love: Marriage and Sexuality in the 21st Century (Penguin 2009) takes a long and hard look at the sexual revolution sweeping across India. The author, now living in Delhi, chronicles a ‘bizarre melange’ of arranged marriages and a western-style dating culture as well as the coexistence of traditional culture with the ‘modern’, sometimes even in the one individual. A person could be going through the process of meeting prospective partners through a match-maker, and be dating and mating at the same time. This has been propelled by rapid westernisation, the emancipation of women, the break-up of the extended family and changing sexual values – all occurring at break-neck speed.
India in Love Ira Trivedi.Indian Link
The Indian demographic too has been a driving force. Trivedi points out that the current Indian population is one of the youngest in the world, with an average age of about 30; by the year reveals that in the process of writing the book, she discovered there is a massive upheaval of sexual mores taking place in urban India, and that it is permanent. She travelled the length and breadth of India, visiting scores of cities and towns, and came to the conclusion, “We are never going back to the India of our past.” The sexual revolution has begun, is gaining pace, and nothing can stop it.
Some of our regular readers expressed a desire to see more books on the Indian economy reviewed in this column, so I chose one that is particularly thought-provoking, controversial and bound to raise several hackles. Restart: The Last Chance for the Indian Economy (Random House, 2015), by Mihir Sharma, is an incisive analysis of the problems that have prevented India from realising its economic potential.
Restart Mihir.Indian Link
Those familiar with Harvard-educated Mihir Sharma’s OpEds in the Business Standard – and previously The Indian Express – know that he does not mince words. In Restart, he explains what needs to change in order to unleash the potential and creativity of a billion Indians. The answers are not the obvious ones that are found in economic textbooks.
Sharma identifies a surprising medley of problems that are holding India back. The first, he argues is the Gandhian fallacy of a rural bliss, forcing the poor to stay on in unproductive marginal farms in programs like the Mahatma Gandhi Rural Employment Guarantee Scheme [MGNREGA]. This is the guarantee they will stay poor.

mihir-s-sharma.Indian Link
Mihir Sharma

Second is the failure of the Indian state to rein in its private sector partners in the public-private partnership model [PPP]. Sharma quotes the eminent columnist T.N. Ninan here: “India is a strong state when it comes to bullying the poor, but a weak state when it comes to controlling the rich.”  The third major failure, Sharma argues is the problem of crony capitalism in India.
For India to overcome these, it needs to explore ‘another way to grow’, and a radical transformation, and a political will to introduce reforms. Modi’s is the very last chance to break the old order.

Music for harmony

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Reading Time: 3 minutes

Devotional music not only soothes the soul, but opens up portals to spirituality at All Faiths Music Festival.

 
All Faiths Music Festival dancers.Indian Link  
The Sufi Whirling was simply breath-taking. In an anti-clockwise rotation, to capture the blessings from God, this physically active form of mediation was remarkable to watch.
The amount of patience and determination needed to ensure that the rotations are continuous suggests that music does help to strengthen one’s mind.
The Sufi dervishes were participating in the third successive All Faiths Music Festival.
The Sathya Sai International Organisation of Australia and PNG, in collaboration with the Whitehorse Interfaith Network (WIN), helped bring together an outstanding array of performances from diverse cultures on 16 August.
Fostering harmony, peace and love is the goal of these organisations. In a world where conflict arises over religious ideologies, territorial borders and political might, interfaith networks and associations are trying to bridge the divide and promote unity through cultural acceptance and appreciation.
All Faiths Music Festival.Indian Link
Organisations that took part in the festival include: Veda Group of Melbourne, Brahma Kumaris Australia, In2Worship Gospel Choir, Sufi Group, Sathya Sai Organisation, Sikh Group, The Church of Jesus Christ of Latter-day Saints, Ahmadiyya Muslim Association of Victoria, Hare Krishna, Eckankar and the Sri Lankan Buddhist Group.
The All Faiths Music Festival unfolded with the lighting of the lamps (diyas) by representatives of the organisations and dignitaries.
Notable attendees included: Cr Andrew Davenport, representing the Mayor of the City of Whitehorse; Anna Burke, Federal MP for Chisholm; Ross Alatsas, Acting Chairperson for the Victorian Multicultural Commission; Mayor Paul McLeish, City of Manningham; and, Leading Senior Const. Elizabeth Sidiropoulos, Victoria Police Eastern Region Multicultural Liaison Officer.
Adults and children participated in the performances and it was gratifying to see the audience appreciating the song and dance from different cultures.
Having the youth being encouraged to contribute to the performances will remind them of the importance of their cultural traditions in their identity.
Witnessing such a range of song and dance routines is something that one would never have seen all in one go. The various organisations that took part need to be commended for publicising the work of the cultures that make up Victoria.
Expressing and showcasing traditional acts through a music festival at the centrally-located Box Hill Town Hall, shows that active members of society are taking steps to transform cultural barriers.
All Faiths Music Festival.Indian Link
“These events are not about tolerance. They are about crossing boundaries and promoting diversity as society’s greatest strengths,” said Anna Burke MP. Mayor Paul McLeish reinforced the idea that “we are all Australians living in this great country”. Victoria continues to embrace people from around the world.
Mr Davenport cited council surveys which identified that 33% of Whitehorse residents are from diverse faiths and 27% of Whitehorse residents do not speak English as a first language.
Ross Alatsas noted that Australians share over 230 languages spanned across 120 different faiths. He also cited a recent survey by the VMC that found that 85-90% of Australians felt that multiculturalism was strong and positive in Victoria.
Special mentions go to Dilnaz Billimoria (WIN) and Ravi Seth (Sathya Sai International) for making the All Faiths Music Festival a memorable one.
Thanks to these stalwarts and the volunteers, the assembled gathering got an informative peek into different cultures and traditions.

Happy FAMILIES, Happy COMMUNITIES

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A new manual is launched in Melbourne to support Victoria’s Indian community leaders assisting family violence victims

 
Happy FAMILIES, Happy COMMUNITIES launch.Indian Link
Jagriti is a community forum established by leaders in Melbourne’s Indian community who were concerned about the levels of family violence experienced by Indian families living in the local area.
The organisation recently partnered with the Western Integrated Family Violence Committee to produce Happy FAMILIES, Happy COMMUNITIES, a community education resource to assist Indian leaders in directing families toward specialist help services.
Chair of Jagriti and Member of Parliament for Footscray, Marsha Thomson, recently helped launch the new Happy FAMILIES, Happy COMMUNITIES manual.
Ms Thomson said the manual was created in response to a lack of understanding of the existing support available to victims of family violence particularly amongst the Indian community.
Happy FAMILIES, Happy COMMUNITIES is specifically designed for the Indian community to assist those offering assistance to victims of family violence,” Ms Thomson said.
Western Family Violence Regional Integration Coordinator (WIFVC), Maureen Smith, said the manual is specifically targeted at the Indian community and is being trialed in Melbourne’s western suburbs.
“Feedback from the trial will be fed into the final template of the manual which we hope will be made available across Victoria,” Ms Smith said.
 
Happy FAMILIES, Happy COMMUNITIES was launched at the end of August by Ms Thomson MP and the Consul General of India in Melbourne Manika Jain.
Ms Jain said the guide will fill a knowledge gap for the Indian community and hopefully increase domestic violence victims’ access to services.
Funding for the manual came from grants received from the RE Ross Trust and Maribyrnong, Wyndham, Melton, and Brimbank Councils.
Members of Jagriti include academics, police, lawyers, women’s groups, councillors, family violence professionals, and community leaders to assist the Indian community in having a wide reach and tackling issues of family violence.
Secretary of Jagriti, Jasvinder Sidhu said it is hoped the new resource will be another tool for those working with vulnerable families towards eliminating violence.
“The manual will provide Indian community leaders and organisations with up-to-date information on where to go for assistance, what kind of assistance is provided and whether it is provided to residents with non-permanency or residents and Australian citizens only.
This manual will be a great resource for victims of family violence to know where and how to get help,” Mr Sidhu said.
 

UTS leads Australian charge in young universities world ranking

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UTS is the new number one in Australia in the Times Higher Education 100 Under 50 rankings for 2015.

 
UTS Engineering and IT Building by Andrew Worssam
Australia has emerged as the number one nation in the Times Higher Education analysis of the world’s top 100 universities under 50 years of age, with 16 top 100 institutions compared to 14 last year and one more than the UK, with which Australia tied in 2014.
UTS is in the 21st spot overall in a list that includes young institutions from 28 countries or regions.
“Australia is now the world’s number one nation when it comes to the new generation of world-class universities,” said Times Higher Education rankings editor Phil Baty.
“While its Group of Eight old guard continue to shine in the traditional World University Rankings, Australia also has a thriving community of young, dynamic universities that are making a global impact, too.
“Their diversity is also a great sign for a healthy future, with institutions founded in the 1960s, 1970s, 1980s and 1990s making the list. This is great news for the Australian sector.”
UTS Vice-Chancellor Professor Attila Brungs said that while rankings were just one particular measure of performance, it was evident UTS had rapidly developed a global reputation for excellence in teaching and research.
Ranking results are a reflection on the hard work and dedication of staff and quality of students.
“To be ranked top in Australia is a pleasing achievement, especially as Australia is the leading represented country in the elite list, with 16 top 100 institutions,” Professor Brungs said.
“We should be very proud of the quality, impact and rapid progress of so many of the younger universities across Australia.
“While it’s always good to have rankings news like this, what is more important to us is that we keep innovating and improving the quality of education and educational experience we offer; growing the impact of our research and academics and seeing the tangible benefits our alumni deliver around the world.
“Our new, world-leading campus will provide a further boost to our innovative model of learning, research efforts and industry engagement to ensure that we continue to build our reputation for excellence and quality,” Professor Brungs said.

The classical scene

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Reading Time: 4 minutes

It’s been a busy period on Melbourne’s Indian classical music and dance calendar.

Federation of Indian Music and Dance.Indian Link


Federation of Indian Music and Dance Victoria

This annual event, held aptly on 15 August and dubbed EKTA 2015, was a fabulous feast of classical fare.
Since its inception five years ago, it has succeeded in bringing together classical Indian musicians and dancers of Melbourne together under one umbrella, and in putting together a pan-Indian classical event.
The dance items this year included Satriya Dance by Nilakshi Bora: one does not often get the opportunity to see this dance style in Australia, so it was a privilege to see such a polished presentation.
This was followed by a very spirited and innovative Odissi-cum-Hatha yoga performance by some of Monica Singh’s students.
Monica has carved a niche for Odissi in Melbourne and the grace and precision of her group was impressive indeed.
The very talented Govind Pillai and Meghala Bhat delighted the audience with a kaleidoscope of Bharatanatyam items all set to Swati Thirunal’s music, beginning with the very classical and traditional rendering of a kriti, followed by a dazzling darbari-Kanada Tillana.
The Tillana was a jazzy rendering of the very popular Tirunalveli composition, and the duo’s crisp and energetic piece vowed the audience.
The Indian classical music items that evening consisted of a very eclectic selection. Murali Kumar presented a soulful raga Yemen on the violin accompanied by Pandurang Torvi on the Tabla.
Uthra Vijyaraghavan and Rama Rao’s duet, accompanied by Sridhar Chari and Pandurang Torvi and Murali Kumar on the violin, was a superb improvised melody in raga Kalyani, with lyrics adapted from the Rig Veda befitting the occasion.
Sisters Shobha Shekhar and Jayashree Ramchandran are talented soloists in their own right, but together the duo sparkled, igniting the auditorium with their rendition of such gems as Swati Tirunal’s Shankara Sri giri, the abhang Bhakta jana vatsale, and a thiruppugazh in Tamil.
Tihai, Melbourne’s own trio Sabyasachi Battacharya on the sarod, Nicholas Buff on the sax and Girish Makhwana on the tabla, presented the raga Rageshri.
They began slowly, gradually worked to a crescendo, filling the hall with the strangely pleasing sounds of the wind, string and percussion.
The evening was a testimony to the depth and variety of talent in the Indian community in Melbourne. That they could front such a high quality program at such short notice is commendable.
It is shaping up to be the ‘thinking person’s entertainment’ event in the community.
 

Raghuveer and Narayan Rangan

Rangan brothers classical Indian music.Indian Link
The Melbourne Brothers performed for Yuva Sangeet, an organisation that has been set up by and for the young and budding Carnatic artistes of Melbourne, on 9 August at the Mount Street Neighbourhood House.
The duo’s performance that evening was impressive: from the varnam in Vasantha to the Riti Gowla composition to their Begada magnum opus: they sang in unison, their voices so melodious, and their rendition of compositions so divine that they swept the audience off their feet.
Such talent comes around only rarely, and together with a handful of other such talented Carnatic musicians of Melbourne, they are the cream of the crop.
The packed hall was a testament to the reputation that the Melbourne Brothers have already earned in the short time they have been performing Indian classical music together.
Sanjay Ramaswamy on the violin and Lojen Wijayamanoharan on the mrudangam accompanied the brothers, and played like veteran performers, so flawless and professional were they.
 

The mrudangam arangetram of Pawan Gopinath

Pawan Gopinath Indian classical music.Indian Link
A student of Sridhar Chari, Pawan Gopinath’s mrudangam arangetram was held at the Doncaster Secondary College on 16 August.
Eminent vocalist Malladi Ravikumar and violinist Embar Kannan had come from India for the occasion, so it was guaranteed to be a splendid event.
Pawan was not intimidated accompanying such polished and top musicians, and gave a stellar performance.
Over the years, when observing him playing for various school concerts, he always struck one as a cut above the rest; he had been a part of the Laya Vidya School’s “Shadows” percussion group, and a vocalist and flautist to boot.
His wide musical skills certainly stood him in good stead at his arangetram, as he could anticipate the music of, and complement Malladi Ravikumar and Embar Kannan well.
Pawan gave the kriti in Thodi the full monty – including a full ‘tani’, a solo exposition of his expertise on the mrudangam.
He displayed superb ‘fingering’ technique in the ragam-tanam-pallavi section, showcasing his ability to handle a complex tala pattern.
 

The Iyer Brothers

Iyer brothers Indian classical music.Indian Link
The Iyer Brothers performed at a fund raiser for the East-West Foundation at the Doncaster Secondary College on 23 August.
The East-West Overseas Aid Foundation is an organisation set up in 1992 to help disadvantaged sections of the community in India.
The Iyer Brothers, who are already well known among the cognoscenti in the musical community, played some popular Carnatic compositions and ragas such as Sri, Khamas, Kedaragowla, Keeravani, Yemen Kalyani etone compositic, with one composition in the rare raga Kumudakriya.
On mrudangam and ghatam were artistes from India, Chidambaram S Balashankar and Adambakkam K Shankar respectively. Their “tani” was riveting: it is not often that one gets to hear ghatam in Australia, and their percussion duet was quite sensational.

Understanding breast cancer

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Reading Time: 4 minutes

We look at facts and figures relating to this form of cancer, for a better understanding of the condition
pink ribbon breast cancer
Every year, the world marks 26 October as Pink Ribbon Day in recognition of the need for increased awareness about Breast Cancer, one of the leading causes of death in women internationally. Thanks to intense media campaigns and the endorsement of celebrity figures, breast cancer is no longer a taboo topic. However, as we learn more about this illness, the sheer overload of information can leave you feeling dizzy and confused, with many more unanswered questions. Here is a synopsis of the condition at a glance, with a few relevant FAQs.

What causes breast cancer?

Breast cancer is caused by certain changes in DNA. While some breast cancers may be caused by inherited changes in DNA, most are due to acquired changes. We don’t know exactly what causes breast cancer, but we do know that certain risk factors are linked to the disease. There are risk factors that cannot be changed like age, gender, family history and so on, but lifestyle choices that can lower the risk are having children at an early age, breastfeeding your babies, avoiding alcoholic drinks, not using birth control pills and hormone replacement therapy for prolonged periods of time, keeping fit by exercising regularly, and not being overweight.
depiction-of-breast-cancer.Indian Link

Symptoms of breast cancer

Breast cancer may not show any symptoms in its early stages. A lump which might turn into cancer could initially be too small to be noticed or it might not cause any unusual changes. More often than not it is the mammogram, or an x-ray, that detects an abnormality, rather than an examination.
In some cases, the first sign could be a lump or a mass that can be felt. A lump that is hard but painless and is uneven to the touch is likely to be cancerous. However, a completely opposite study of tender, soft and evenly rounded lumps have turned out to be cancers. It is advisable that any unusual changes such as breast pain, swelling, skin irritation, dimpling, nipple pain, nipple discharge, a lump in the armpit, nipple turning inwards, redness, scaling and thickening of the breast skin be promptly investigated.

Causes of changes in the breast

Even if someone displays one or more of these symptoms, it doesn’t mean they definitely have breast cancer. Most lumps turn out to be benign. A vast majority of breast changes are hormonal, caused by glands that make a woman’s breast feel different at various times during the menstrual cycle. Cancer-like symptoms can also be apparent in the presence of a cyst in the breast. This is a sac filled with fluid and is more common in women aged 35-50 and in those taking hormone replacement therapy. Cysts do not normally change into cancer, but in rare cases they can have a cancer growing inside them or near them. An ultrasound is considered to be the best way of distinguishing a lump from a cyst. Another cause of changes in the breast, especially in younger women, is fibroadenoma which is a firm, fibrous lump and rarely changes into breast cancer, but if it becomes painful it is usually removed under general anaesthesia.
breast cancer ribbon.Indian Link

Types of breast cancer

Breast cancer begins in the ducts of the breast. If the breast cancer is invasive it means that the cancer cells can spread outside the ducts and into the surrounding tissues. Invasive cancer cells sometimes spread outside the breast area to other parts of the body. They do this by travelling through blood vessels or veins. Another type of breast cancer is the pre invasive cancer. This is the name given to abnormal or cancerous cells that inhabit the milk ducts. Paget’s disease is a rare type of breast cancer that begins in the milk ducts and spreads to the skin of the nipple.

Different stages of breast cancer

If the cancerous cells are contained in the armpit and breast region it is considered to be in the early stages, but if it has progressed to surrounding areas such as the chest, muscles, bones and skin but has not advanced further on in the body, it is regarded as locally advanced breast cancer. If the cancer cells have spread from the breast to other areas of the body like the lungs or bones, it is called metastatic breast cancer.
NBCF-Breast-cancer-fast-facts.Indian Link

Who is at risk?

Women who have had two or more family members diagnosed with breast cancer before they turned 50, especially if they are close relatives like their sister, mother or daughter are considered to be at high risk. Those who have been previously diagnosed with invasive or pre invasive breast cancer or who have a mutation in genes, are at a higher risk of getting breast cancer. However, it is important to remember that just because a close relative had breast cancer, it does not mean that you will have it too. Most women who have breast cancer have no family history.

At a glance

All lumps are not suspicious only those that are painless, irregular and slowly enlarging
Pain and tenderness in the breast could be caused by hormonal changes in the menstrual cycle, pregnancy, stress or HRT.
The pill is safe to take, but prolonged, uninterrupted exposure could increase the risk of breast cancer.
Early detection means more options available and better chances of survival.
Wearing a bra at all times does not increase the chances of breast cancer.

What's on in Melbourne?

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Reading Time: 5 minutes

All the upcoming events happening in Melbourne’s Indian community

MOVIES

Hindi Film

Tubelight
(HOYTS Cinemas)
Tubelight Movie Poster.Indian Link

Punjabi Film

Great Sardaar
(Village Cinemas)
Great Sardaar Movie Poster.Indian Link
Jattu Engineer
(Village Cinemas)
Jattu Engineer Movie Poster.Indian Link

Tamil Film

Anbanavan Asaradhavan Adangadhavan
(Village Cinemas)
Anbanavan Asaradhavan Adangadhavan Movie Poster.Indian Link

Vanamagan
(Village Cinemas)
Vanamagan Movie Poster.Indian Link

Other Films (English)

Baywatch
(HOYTS & Village Cinemas)
Baywatch Movie Poster.Indian Link
Viceroy’s House
(HOYTS & Village Cinemas)
Viceroy's House Movie Poster.Indian Link

FUNDRAISING

Let’s Feed
A volunteer-driven campaign and fundraising group working to organise activities, source food and deliver it to different agencies and also assist family violence victims with food related needs. Let’s Feed fills food-related gaps in existing services using micro donations. Let’s Feed collects non-perishable food from local groups at temples, participating grocery stores and delivers to Youth Resource Centre, Asylum Seekers Resource Centre and other agencies. Visit: letsfeed.org or email: jasvinder.sidhu@letsfeed.org

Swachh Bharat
Help provide financial support for Swachh Bharat mission through the Sulabh Social Service Organisation. The ongoing campaign invites all persons of Indian origin to generously donate for Swachh Bharat. Donations can be made to Sulabh through Western Union. Bank details are below
In favour of: Sulabh International Centre For Action Sociology (SICAS)
Account No: 63012660749,
IFSC Code: SBIN0030262
MICR: 110002347
Name of the Bank: State Bank of India,
Branch Name: C 28 Community Centre, Janakpuri, New Delhi-58
Contact: bharatramvasudevan@gmail.com

MUSIC

Haadu Baa Kogile
Melbourne’s first ever Kannada musical event held every last Saturday of the month. All welcome. Organised by Ankura Music School. Contact: 0432 192 424 or haadubaakogile@gmail.com
The Indian Music Collective Melbourne, Sundays 4pm
The Indian Music Collective Melbourne (IMCM) provides space for practice/jamming in a friendly environment for musicians to meet and practice. Anyone who plays a Hindustani classical music instrument (such as tabla, sitar, sarod, etc.) or can sing Hindustani classical music at any ability/level is warmly welcome at St John’s Catholic Primary School, 77 Queens Parade, Clifton Hill. Listeners are also welcome. Gold coin to contribute towards tea/coffee/snack costs. Contact: Harjinder Bhogal at oldmanindia@gmail.com

 ARTS

Buddha’s Smile Exhibition, until 8 Oct 10am-5pm
From the tranquil smile of an enlightened icon to the widely recognisable laughing Buddha, nine iterations and cultural interpretations of Buddha from throughout Asia will be presented in Buddha’s Smile, a FREE exhibition in the Asian Art temporary exhibitions gallery at NGV International. Located at National Gallery of Victoria, 180 St Kilda Rd, Melbourne VIC 3006. Visit: http://www.ngv.vic.gov.au/exhibition/buddhas-smile/
Asia TOPA: Bombay Talkies Exhibit, 8 Feb – 2 July, 2017
Presented by Australian Centre for the Moving Image, located at Federation Square, Flinders St, Melbourne, this free exhibition captures the excitement and glamour of early Indian cinema. The exhibition showcases, for the very first time, the Dietze Family Trust archive, a Melbourne-based treasure trove of more than 3000 cultural artefacts once owned by Himansu Rai. The archive is the most comprehensive collection of 1920s and 1930s Indian film studio ephemera in the world. Visit: https://www.asiatopa.com.au/events/bombay-talkies.

 COMMUNITY

Indian Young Women’s Group – Fridays 12.30pm-2.30pm
The Indian Young Women’s Group is delivered free by Wyndham Community and Education Centre (Wyndham CEC) every Friday afternoon at the Wyndham Park Primary School – Community Hub Room, Kookaburra Avenue, Werribee. Details: Contact the Wyndham Community and Education Centre, 3 Princes Highway Werribee, or www.wyndhamcec.org.au, Contact: 9742 4013
Let’s Talk: Conversational English, Saturdays 10am-11.30am
Practice and develop your English speaking skills in a relaxed small group that has a warm and friendly atmosphere. Meet every Saturday at Werribee Church of Christ, 200 Tarneit Road, Werribee. This is for people who are wanting to gain confidence and practice their English. All are welcome to attend, morning tea is provided and it’s free. Contact: 9741 6051 or visit werribeechurchofchrist.org.

The Gurukul Chopaal, every Tuesday 6:30pm-7:30pm
An Australian Indian Senior Citizens Club which hosts cultural activities as well as laughing yoga, computer literacy lessons and games. Held at Connections@Craigieburn, 59 Craigieburn Road, Craigieburn. Details: Narinder Garg 0431 123 045 or infothegurukul@gmail.com
The Indian Music Collective Melbourne, Sundays 4pm
The Indian Music Collective Melbourne (IMCM) is providing space for practice/jamming in a friendly environment for musicians to meet and practice! Anyone who plays a Hindustani classical music instrument (such as tabla, sitar, sarod, etc.) or can sing Hindustani classical music at any ability/level is warmly welcome at St. John’s Catholic Primary School, 77 Queens Parade, Clifton Hill. Listeners are also welcome. Gold coin to contribute towards tea/coffee/snack costs. Visit: indmusicmelb.blogspot.com.au Contact: Harjinder Bhogal oldmanindia@gmail.com.
Pronunciation Workshop – 1st Sunday of the month 12pm onwards
Are you learning English as a second language and interested in working on your pronunciation? Join Kaled – a friendly ESL (English as a Second Language) expert who will help you work on your English language skills for free at the Library at The Dock, Activities Room, 107 Victoria Harbour Promenade, Melbourne. ESL speakers and learners of all levels are welcome.
The Gurukul Hindi Classes – Saturdays 11am-12pm
Connections@Craigieburn, 59 Craigieburn Road, Craigieburn. These weekly classes are taught by Manisha Gard and Bhupinder Kahlon. Contact: Narinder Garg 0431 123 045 or infothegurukul@gmail.com

MISC

National Blood Donation Drive by Sathya Sai International Organisation
Sathya Sai International Organisation of Australia & PNG is again having a blood donation drive and is encouraging all of its members who are able to contribute in this wonderful and much needed service. Giving blood is giving life. What better way to ‘Love all; Serve all’ and honour Sathya Sai Baba. Contact: Mayavan 0404 059 093

 AUSTRALIA INDIA INSTITUTE EVENTS

Drop in Chai Every 1st Friday of the month 2pm-3pm
Visit: aii.unimelb.edu.au

For more Melbourne events visit: https://www.indianlink.com.au/melbourne/events-melbourne/

The Indian Cultural Precinct debate

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Reading Time: 5 minutes

RAJNI ANAND LUTHRA and KIRA SPUCYS-TAHAR investigate Melbourne’s Indian Cultural Precinct consultation process and clear up a few misunderstandings
Indian cultural precinct
There has been much discussion in the community about the Victorian government’s proposed Indian Cultural Precinct.
Following three community consultations, Indian-origin Melbournians are drowning in debate over where the precinct should be located.
Should Dandenong win the vote, given it already has a Little India of sorts? Or should it be Wyndham, where the community is said to be growing the fastest? Or should it be at a central, city-based location, where it is equally accessible to all, and amenable to business and tourism endeavours?
Indian cultural precinct.Indian Link
As petitions are drawn up and written submissions are made, it appears that perhaps not everyone is fully cognisant of what the term ‘cultural precinct’ stands for.
Social researchers Schulz, Pepper and Gross* of the University of Wollongong, define a cultural precinct as “a clearly defined geographical area that contains facilities and services related to artistic and intellectual activity.”
Accordingly, a cultural precinct would include socio-cultural activities such as a library, regional art gallery, a museum or a performing arts centre, and economic activity such as shopping and dining. It would be a place for the community to congregate, as well as an economic driver for national and international tourism.
As such, an Indian cultural precinct in Melbourne would be a dynamic hub for cultural expression and civic life. What it would not be, is an enclave that separates Indian-Australians from others. It would generate a space or locale where mainstream Australians are encouraged to learn and interact with their first and second generation Indian Australian counterparts.

Lygon Street Little Italy Melbourne.Indian link
Lygon Street is known as Little Italy in Melbourne

Community stalwart Arun Sharma observes, “I think there is confusion between the terms ‘community centre’ and ‘cultural precinct’. While there is definitely a need for Indian community centres in Melbourne, I’m urging community members to look beyond that, in this case. A cultural precinct is not for the Indian community alone. It is not merely a spot where we will send our kids to learn aspects of our culture, or one where we will send our elderly for culturally-appropriate care. It is much more than this. It will be an area that symbolises India, but is for the use of all Australians and visitors to Australia.”
Victorian Premier Daniel Andrews announced the Cultural Precinct at last year’s Diwali celebration at Federation Square as part of an election pledge in the lead up to the State election that would put him in office. The announcement came as a welcome surprise to the Indian community not only in Melbourne, but across the country. Some seven months after taking office, Premier Andrews began the process of turning this into a reality by committing $500,000, and the establishment of an Indian Cultural Precinct Advisory Panel  that immediately set about consulting with the community as its first step.
Arun Sharma, head of Celebrate India, who has been instrumental in making Diwali not only a Melbourne-wide celebration but the biggest in the southern hemisphere, is part of the Advisory Panel.
Indian Cultural precinct locations.Indian Link
The Panel took the community consultation to the three centres Dandenong, Wyndham and City not because these are in competition to host the precinct, but because these are the spots where the community clusters. Their intent was to hear from as many members of our community as possible, and not to be parochial.
The make-up of the Panel has also come under scrutiny, with commentators claiming that a set number of the Panel members come from a certain suburb, and might therefore bias the final outcome.
When asked about this, Sharma’s only comment was, “An independent consultant has been appointed who will conduct a feasibility study and present the findings to the Panel. We will finalise the outcome and then present the findings to the Minister of Multicultural Affairs, who will take the final decision. Due process is being followed in this entire procedure.”
Chinatown Melbourne
Gates to Chinatown, Melbourne

Another issue of contention has been that $500,000 is not sufficient to build an entire precinct.
It is not known at this stage whether this is the entire amount allocated by the government towards the project, or whether it will follow up with more. By way of conjecture, perhaps it could be said that this is but seed money to get the idea off the ground. It will probably be earmarked for a landmark, such as the lofty gates at the start of Chinatown. Around this, the precinct could be allowed to grow organically.
The Panel is expected to submit its feedback to the Minister for Multicultural Affairs, Robin Scott, by October 2015.
The Victorian Government’s foresight to launch such projects via its Cultural Precincts and Community Infrastructure Fund, needs to be applauded. Perhaps other states in the nation need to follow suit if they are to emulate Victoria’s success stories with respect to multiculturalism. The Fund follows on from the success of the Cultural Precincts Enhancement Fund which saw the cultural precincts of the Greek, Italian and Chinese communities revitalised to the form that they take today.
Melbourne’s Greek Precinct is located in parts of Lonsdale and Russell streets in the CBD and is filled with restaurants and shops promoting the wares of Greece.

The Lygon Street Cultural Precinct in Carlton, the historic heartland of the Italian community in Melbourne, is filled with restaurants, theatres, libraries, cinemas and galleries.
The Chinatown Precinct around Little Bourke Street is replete with the feel of a whole host of Asian cultures.
In this scenario, the Indian Cultural Precinct will add tremendous value to Melbourne as the Diversity Capital of Australia.
It will be up to the Indian community to make it a thriving, booming hotspot. Given the inherent richness and vibrancy, the drive and energy, we have no doubts that they will live up to, indeed exceed, all expectations.
In fact, given the enthusiasm shown by the community in these months of consultation alone, perhaps we can make the recommendation that there should be more than one Indian cultural precinct in Melbourne.
Any takers for this suggestion?
* Rebekah Schulz, Matthew Pepper and Michael Gross (2012)
‘Performance measurement for cultural precinct development: a case for regionalism in local government.’ http://ro.uow.edu.au/buspapers/73/

Koi deewana kehta hai…

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Reading Time: 4 minutes

Kumar Vishwas brings his particular brand of Hindi poetry to Australia, write GAURAV MASAND in Melbourne, and RAJNI ANAND LUTHRA and PRIYANKA TATER  in Sydney
Kumar Vishwas on stage.Indian Link
Koi deewana kehta hai, koi pagal samajhta hai…
If you are a lover of contemporary Hindi poetry, you’ll be able to complete that couplet in a flash.
Magar dharti ki bechani ko bas badal samajhta hai 
And even if you don’t know this particular piece of poetry, just reading the rest will bring a smile to your lips:
Main tujhse dur kaisa hun, tu mujhse dur kaisi hai
Yeh tera dil samajhta hai ya mera dil samajhta hai.

Such is the power of Kumar Vishwas that he has had an entire generation find a renewed interest in Hindi poetry.
Today the man dons many hats: he’s a poet, a lecturer, an activist, a politician. He is now also a public speaker, enjoying much success in the diaspora communities. But to those of us who knew him from college, we fondly remember him for his classic Koi deewana kehta hai. It rings a bell and brings a smile to all his fans, though they would have left those by-lanes long ago.
Kumar Vishwas on stage.Indian Link
Kumar Vishwas was brought Down Under thanks to the Melbourne-based Harinder Singh of All Signs Australia and toured Melbourne, Sydney and Brisbane.
Well known for his oratory skills, he engages the crowd actively and one can feel the passion for his craft in his eyes.
Although the crowd favourite at his recent shows was, as expected, Koi deewana kehta hai, his Ek pagli ladki in Melbourne turned out to be just as touching. The simple poem reminds you of the first flush of love, of the wonder years of teenage times and the trysts with rules and regulations. As the words flow smooth like a gushing river, one is swept away into memories.
Jab unch neech samjhane mein
mathe ki nas dukh jaati hain
tab ek pagli ladki ke bin jeena gaddari lagta hai,
aur us pagli ladki ke bin marna bhi bhari lagta hai.

As a commentator on socio-political trends in the country, Vishwas hinted at the current political landscape in a subtle yet sensitive manner, and then struck a chord with another crowd favourite Tirangaa. This poem vividly describes the sentiments of our serving armymen and the fervour with which they guard our soil with their lives.
Shohrat na adaa karna maula
daulat na adaa karna maula
bas itna adaa karna chahe jannat na adaa karna maula
shamma e watan ki lau par jab qurbaan patanga ho
hothon par Ganga ho, hathon mein tiranga ho

The audience sang along as urged, perhaps feeling more Indian than ever momentarily. Yes, Vishwas stirred emotion within all those present. There were peals of laughter yet his words frequently tugged at the heart, such as with Teri yaad aati hai which must surely have struck a chord with every sojourning IT consultant in the room!
Kumar Vishwas on stage.Indian Link
Har ek khone har ek pane me teri yaad aati hai
Namak aankho me ghul jane me teri yaad aati hai
Teri amrit bhari lehro ko kya malum ganga maa
Samundar paar veerane me teri yaad aati hai.
And talking of India’s worldwide battalion of IT consultants, how about this reference in his other signature poem, Hum Hai Desi
Hum na aate to taraki, Is kadar na bol pati,
Hum na aate to ye duniya, Khidkiya na khol pati,

You cannot miss, in the following lines, that mention of Yashoda and Devki, to refer to children born of one mother raised and nourished by another, equally loved by both: a clever connection to our dual identities as NRIs.
Hai yasoda ke yha par, devki jaye hai hum
Hum hai desi hum hai desi hum hai desi,
Ha magar har desh chaye hai hum…

Kumar Vishwas.Indian Link
Of course the delivery was never straight from start to finish, thanks to his habit of going off on a tangent mid-recital. As he explained his lines or responded to a movement in the auditorium, there was a story, a memory, an observation or an aspiration that came gushing forth. Or, much to the delight of the listeners, a joke. These could be on the asli pehchaan of a desi (toilet-related of course); the state-wise stereotypes; the over-parenting in the western world, our over-regulated lifestyle, our pristine sky with the “dry-cleaned” clouds. And expectedly, the political shenanigans from the Indian scene.
The contrasting styles of Manmohan Singh and Modi: while one never opens his mouth, the other…? Best left unsaid!
And this one: “Modi ka koi vipaksh nahi hai, na parliament mein, na ghar mein”.
On Gen-Y: “Bahu agar subah nimbu chaatey toh khush khabri mat samajhiyega. Ho sakta hai, hangover ho”.
To a random solo burst of laughter from the audience: “Aap supplementary mein paas huye the kya?
The flow was uninterrupted, no breaks, no stops. It turned out to be a full-on session, just as much stand-up comedy as poetry as observations on life, nationalism, relationships, religion… and everything in between.
And that perhaps, is the tendency that Kumar has to watch, given he has been dismissed early in his career as an upstart, whether on the poetry scene or in politics. His tendency to overreach was only too obvious yet again here, such as when he strode in at his Sydney show about an hour late, unapologetic, and still told off someone who scampered to their setas: “Aap to samay se aaye hain, hum hi ne jaldi shuru kiya.”
Your energy and enthusiasm simply overshadowed all the hard feelings that had cropped with the wait. But still, humility, Vishwas, humility!
Rest assured, our takeaway from the night will surely be the shringar ras and deshbhakti bhaav that your poetry invoked.