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Holi hullad!

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Reading Time: 3 minutes

A festival known for being a celebration of love, compassion, friendship and colour, this year’s Blacktown Holi mela did not disappoint

With up to 10,000 people attending over two days, the Holi Festival of Colours at Blacktown was a large-scale outdoor event.
“The highlight for me was seeing multiculturalism in action,” said organiser Bikram Cheema. “The whole community came together at this event.”
After the success of the Festival of Colours Blacktown 2015, organisers decided to hold a second Holi event for 2016, one designed to target a wider Australian market. The inaugural Colorfest was due to be held at Castle Hill Showgrounds in late February, but after some last minute issues with Council approvals, the event had to be rescheduled for the Saturday preceding the Blacktown event.
Cheema confirmed the Saturday event featured more of a western crowd while the Sunday event had a wider variety of revellers.

As a hub of multiculturalism, Blacktown proved to be a perfect venue for all attendees across the two days, particularly after the cancellation of the annual Darling Harbour Holi event.
Featuring the usual variety of international food stalls, market stalls and children’s amusement rides, the diverse entertainment program across the two days proved a winner.
Dancing among plumes of vibrant colours in the sunshine while live DJs spun tunes added a feeling of being at a summer music festival.

With contemporary music pumping, anecdotally, it was a younger crowd with many attending with groups of friends or young families bringing along the kids. On stage entertainment on the Sunday was more traditional and included the Rhythm Boys Bhangra, Holiya Dance Academy, CK Performing Arts and Viraasat Folk Academy among others who strutted their stuff with boundless enthusiasm, befitting the festive spirit of the occasion.
The carnival of colours continued across the weekend and participants played, chased and threw coloured powder at each other with abandon celebrating the masti of life.

However, stall owners lamented a lack of engagement as people were too busy having fun to avail of their services.
Local politicians and dignitaries graced the event appearing in various hues of gulal including federal Opposition Leader Bill Shorten, Member for Greenway Michelle Rowland, State Member for Blacktown John Robertson and the Mayor of Blacktown City Council Stephen Bali.
The festival of Holi was named after the evil demon Holika, who burnt to death in a bonfire, but its significance has changed over thousands of years. The festival coincides with the arrival of spring and the beginning of the harvest season in India.

Seema Keezhil wins South Australia Multicultural Award

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Reading Time: 2 minutes

Indian-Australian Seema Keezhil  has been recognised for her work in the community at the annual Governor’s Multicultural Awards

An unsung hero for all things Indian over the past 30 years, Seema Keezhil was recognised for her diverse work in the community at awards ceremony hosted by His Excellency the Honourable Hieu Van Le AO, Governor of South Australia, at Government House on Tuesday 22 March.
Seema Keezhil.Indian Link
Seema Keezhil stood alongside fellow Adelaidean Megan Lamb as Individual Joint Winners of the South Australian Governor’s Multicultural Award for the Community Sector.
Seema’s activities cover the gamut from organising festivals, teaching Hindi, collaborating on crime prevention with the SA Police to Bollywood singing!
Seema is also a recent addition to the Governor’s Women’s Honour roll.
The Governor’s Multicultural Awards are a celebration of South Australia’s cultural diversity.
Seema Keezhil.Indian Link

Multicultural Affairs Minister Zoe Bettison congratulated the 28 finalists and 14 winners recognised at the Awards.
“The Governor’s Multicultural Awards recognise those who promote multiculturalism and increase community understanding of the benefits of cultural diversity,” Ms Bettison said.
“This annual celebration is an opportunity to thank the people who demonstrate such wonderful generosity, passion and dedication through their contributions to our culturally diverse society.”
SA Governors Multicultural Awards.Indian Link
More than 400 guests attended the celebrations.
Governor Hieu Van Le said the many events and festivals in South Australia are testament to the cultural diversity and harmony of the state and an opportunity to showcase the experiences of citizens.

“It is important we continue to progress our multicultural journey and learn more about each other, and share our experiences, to build on our tolerant and cohesive society,” he said.

Yummy Easter Chocolate treats

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Reading Time: 6 minutes

Chocoholics rejoice!  With these yummy CADBURY Easter chocolate treat, make your feast extra special during this Easter time.
Easter chocolate treat
Easter cocoa and cinnamon biscuits
Make cute little Cocoa Easter egg & bunny shaped biscuits with your children and let them decorate to their hearts content!
Ingredients
125g butter, softened
½ cup caster sugar
1 egg
1 teaspoon vanilla
1¾ cups flour
¼ cup CADBURY Bournville Cocoa
2 teaspoons cinnamon
¾ teaspoon bicarbonate soda
½ teaspoon nutmeg
1½ – 2 cups pure icing sugar, sifted
1 egg white, whisked until frothy
Food colours, for decorating
Method
Cream together the butter and sugar until light and fluffy. Add the egg and vanilla and beat to combine. Stir in the sifted flour, cocoa, spices and bicarbonate soda and mix just until soft dough forms. Roll out dough between 2 sheets of baking paper to 1/2 cm thickness and then refrigerate for 15 minutes until firmed.
Cut 6-8 cm egg shape biscuits and place on lightly greased baking trays.
Bake in a moderate oven 180°C for 12 minutes or until cooked. Cool on tray on a wire rack for 10 minutes and then lift onto wire rack to cool completely.
Gradually beat the icing sugar into the egg white until smooth and of a piping consistency. Divide the mixture into small bowls and add a different food colouring to each.
Spoon icing in piping bags with plain nozzles and decorate the biscuits. Allow the icing to set then store in an airtight container until required.
Tip: Dipping the biscuit cutter in flour helps release the dough more easily.
 
Chocolate Kulich
We’ve added Cadbury Baking chocolate to this traditional Russian Easter bread recipe for our fav Easter chocolate treat
Ingredients
1 cup milk
½ cup sugar
185g butter, chopped
Pinch saffron, crumbled
2 teaspoons salt
6 cups flour, sifted
7g sachet dried yeast (2¼ -2½ teaspoons)
3 eggs, lightly beaten
¼ cup lukewarm water
200g almonds
125g butter
200g CADBURY Dark Baking Chocolate, chopped
1 egg, extra, lightly beaten
Method
Heat the milk, sugar, butter, saffron and salt in a saucepan for 2 minutes or until the sugar has dissolved and butter melted. Cool to lukewarm.
Combine the flour and yeast in a bowl, make a well in the centre and add the milk mixture, eggs and enough lukewarm water to make a dough. Turn out onto a floured board and knead until smooth and elastic. Return to bowl, cover with plastic wrap and leave in warm place for 1 hour or until doubled in size.
Combine the almonds and butter in a food processor and process to form a paste. Add the chocolate and pulse to combine.
Divide the dough in half; and set one half aside. With the first half of the dough: remove 1/3 for the top, cut into 3 and make long narrow ropes approx. 25cm long, then form into a plait.
With the remaining 2/3 of the dough roll out on a lightly floured surface to make an 18 x 28cm rectangle then spread with half of the chocolate mixture. Roll up from the long side and place into a greased 20cm ceramic soufflé dish. Form the plait into a circle and join the ends together then place on the top of the kulich.
Set aside to rise for 11/2 hours. Repeat with remaining ½ of the dough and chocolate mixture to form 2 Chocolate Kulich.
Brush with extra beaten egg and bake in a moderate oven 180°C for 50-60 minutes or until cooked when tested. Allow to cool on a wire rack before slicing. Store in an airtight container.
easter chocolate treat
Easter Chicken Creme Egg Cupcakes
These Easter chick cupcakes are very cute and will brighten up your children’s Easter chocolate treat and fun holidays!
Ingredients
125g butter, softened
¾ cup caster sugar
1 teaspoon vanilla
2 eggs, lightly beaten
1½ cups SR flour
½  cup milk
12 CADBURY Creme Eggs Minis, unwrapped
225g CADBURY White Chocolate Melts
½ cup pure cream
yellow food colouring
1 cup shredded coconut
24 brown CADBURY Mini Drops, for decorating
2 dried apricots, cut into triangles, for decorating
Method
Cream together the butter, sugar and vanilla until light and fluffy. Gradually beat in the eggs, beating well between each addition. Add the flour, milk and food colouring and stir until combined. Spoon half of the mixture into 12 x 1/3 cup capacity paper lined muffins pans. Place a Crème Egg in each, then top with remaining mixture.
Bake in a moderate oven 180°C for 15-20 minutes or until cooked when tested. Cool on a wire rack for 10 minutes before turning out of pan to cool completely.
Melt together the chocolate and cream in a bowl over gently simmering water, stirring occasionally, until smooth. Stir in drops of food colour until the ganache is golden egg yellow.
Stand ganache at room temperature for 2 hours before refrigerating until firm enough to spread. Combine the coconut in a bowl with a few drops of food colour and rub through with fingertips to colour the coconut.
Ice each cake with the ganache, top with coconut and arrange Mini Drop “eyes” and apricot “beaks”. Store in an airtight container, refrigerated, until required.
chocolate hot cross bun Easter time
Chocolate Hot Cross Buns
Hot Cross Buns are a traditional favourite for Good Friday and Easter for the kids favourite Easter chocolate treat. They are even more delicious with the addition of Cadbury Baking chocolate chips. Yum!
Ingredients
4 cups plain flour
1½ teaspoons mixed spice
2 x 7g sachets dried yeast (2¼ -2½ teaspoons per sachet)
1/4 cup caster sugar
350ml lukewarm milk
2 eggs, lightly beaten
1 cup sultanas
¾ cup CADBURY Milk Chocolate Baking Chips
½ cup currants
Crosses
½ cup plain flour, extra
1/3-½ cup water, extra
Glaze
¼ cup sugar, extra
¼ cup water, extra
½ teaspoon gelatine
Method
Combine the sifted flour and mixed spice with the yeast and sugar in a large bowl. Add warm milk and eggs to flour mixture. Use a flat-bladed knife to mix until dough almost comes together. Add fruit and chocolate. Use clean hands to finish mixing to form soft dough.
Turn out onto a lightly floured board and knead until smooth and elastic. Return to bowl, cover with plastic wrap and leave in warm place for 1 hour or until doubled in size.
Knock back (punch down) dough to its original size. Knead until smooth then divide into 12, shape each portion into a ball, then place onto a greased tray about 1cm apart. Cover with plastic wrap. Set aside in a warm place for 30 minutes or until buns double in size.
For the crosses: Mix extra flour and water together in a small bowl until smooth, adding a little more water if paste is too thick. Spoon into a small resealable bag. Snip off 1 corner of bag. Pipe flour paste over tops of buns to form crosses. Bake in a moderately hot oven 190°C for 20-25 minutes or until cooked when tested. Allow to cool on a wire rack.
For the glaze: Combine extra sugar, extra water and gelatine in a small saucepan. Stir until sugar dissolves. Bring to the boil and simmer for minute, then brush warm glaze over warm hot cross buns. Serve warm or at room temperature.
For the full recipes, visit Cadbury kitchen
READ ALSO: Easy Easter baking

A race to equality

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Reading Time: 5 minutes

Australia’s Race Discrimination Commissioner Dr Tim Soutphommasane, discusses the need for greater education in the fight against racial discrimination

‘Our instincts may be to seek punishment or humiliation for the perpetrators of racism but our ends are better served by exhibiting some generosity to people because our society can only reduce racism if its members are educated, and they genuinely commit to values of equality and acceptance’.
Tim Soutphommasane.Indian Link
Speaking to Indian Link on the eve of Harmony Day 2016, Australia’s Race Discrimination Commissioner Dr Tim Soutphommasane has stressed the need to promote education and awareness of racial discrimination as an important tool in continuing the fight against racial discrimination in Australia.
Halfway into his first term as Commissioner, Dr Soutphommasane has been faced with significant challenges in the form of incidents of racism and government policy that have dominated Australia’s social discourse and commentary.
Dr Soutphommasane refers to a “very challenging environment today for our race relations”, citing in particular the federal government’s recently abandoned attempts to repeal the protection against racial vilification set out in section 18C of the Racial Discrimination Act, the campaign of booing directed towards Sydney Swans stalwart Adam Goodes, and the protests targeting Muslim communities across Australia.
 
Cultural diversity
To Dr Soutphommasane, the challenging milieu of this year’s Harmony Day merits more than a simple celebration of cultural diversity, despite the theme (“Our diversity is our strength”). “It is good of course that we celebrate our cultural diversity,” says Dr Soutphommasane.
“However, we also need to start challenging conversations about race and discrimination. We can’t be a successful multicultural society unless we are also prepared to combat prejudice and intolerance. I would like to see that as part of any conversation that we have, which is a lot harder than reflecting on our triumph as a multicultural society. We hope to start conversations around the country about what everyone can do to stand up against racism.”
One of the difficult conversations of particular relevance to which Dr Soutphommasane alludes is without doubt the volatile situation in the Middle East, which has formed the background against which many Australians understand Islam and Muslims. “Our domestic debates can never be divorced from international events,” says Dr Soutphommasane.
“Anxiety and fear about national security have obviously heightened since what happened on September 11, 2001 and have intensified in light of events in the Middle East. Conflicts in Syria and Iraq have seen a massive displacement of people in the region and has contributed to an increased flow of refugees to the west.”

tim soutphommasane.Indian Link
(Photo: Sean Garnsworthy/AFL Media)

Dr Soutphommasane refers to the murder of police accountant Curtis Cheng in Parramatta, and the radicalisation and subsequent attacks against police officers carried out by Melbourne teenager Numan Haider as two examples of extremism which have, in combination with international events, led to significant misinterpretations of the Islamic faith as being “incompatible” with Australia’s liberal democracy.  
However, Dr Soutphommasane warned against judging the Australian Muslim community by the “extremism of a few”, and reiterated his belief that Australia was, on the whole, an extraordinary success story for multiculturalism. Dr Soutphommasane rubbishes the views held by some people that Australia is an inherently racist country. Despite acknowledging that racism exists in Australia, he cautions against judging each and every incident of racism as representative of Australian society.
“You’re going to have racism in every country – racism exists everywhere. If we were to suggest that Australia is inherently or essentially racist, it’s difficult then to make sense of how multicultural Australia is today. It’s difficult to make sense of how we’ve had a peaceful society that has welcomed more than seven million migrants since the end of the Second World War,” says Dr Soutphommasane. “For me the very success of our multicultural society suggests that it makes little sense to regard Australia as some inherently racist country.”
Tim Soutphommasane.Indian Link
The bamboo ceiling
Another difficult conversation on Dr Soutphommasane’s agenda is the so-called “bamboo ceiling” in Australian society, pursuant to which ethnic minorities – in particular, those of Asian descent – are underrepresented in positions of leadership. To Dr Soutphommasane, there is no dichotomy between patriotism and multiculturalism; approaching patriotism as a concept of “improving your country”, rather than “flag-waving, aggressive nationalism that aims to exclude others. Dr Soutphommasane believes that it is critical for Australia’s multicultural society to be reflected in its institutions and public life.
However, Dr Soutphommasane asserts that there is a role to be played by migrant communities and those of migrant backgrounds to ensure that such a goal is achieved. “Currently we see an underrepresentation of cultural diversity in positions of leadership in our society- in business, in politics, and elsewhere. Leadership should be something that young Australians of diverse backgrounds should aspire to. But it does require parents and communities to encourage their children and their young people to think very consciously about their responsibilities and how they can contribute to Australia”.
tim soutphommasane.Indian Link
Multiculturalism in the media
In that respect, Dr Soutphommasane noted the importance of seeing Australia’s multiculturalism reflected on television screens and radios. “It is encouraging though to see shows such as Family Law and Here Come the Habibs making it onto Australian television screens. Australian media is one realm where we simply don’t see enough diverse faces or hear enough diverse voices. I hope that programs like these are just signs of things to come in the future.”
“The more stories that get told on TV, the richer our understanding of Australian society will be. And media and diversity is certainly one realm that communities should take an interest in and communities should also consider taking steps to encourage their members to take part in Australian media and also to try and break down some of the barriers that currently exist.”
Tim Soutphommasane.Indian Link
The Race Discrimination Commissioner
Dr Soutphommasane’s own rise to a prominent position of leadership came with its own challenges. Born in France, Dr Soutphommasane’s parents fled communist Laos, and he grew up in south-western Sydney at a time during which Pauline Hanson was dominating politics. Asked about how he balances the need to be objective in his position despite his own experiences and views on racism, Dr Soutphommasane is pragmatic. “My purpose in this job is a very simple one – it’s to combat racism in all its forms and to promote better understanding and harmony in our society,” he says.
“My agenda is a very clear one, so when racism does occur, I will speak out against it and I will encourage others to do the same. But how we speak out against racism also matters. We need to ensure that people are taken with us, we need to persuade people of the urgency of the issue and we need to prioritise education over punishment.”
Speaking about his time as Commissioner, Dr Soutphommasane cites the communities he has been involved with as the most rewarding experience. “I always take great heart and encouragement from knowing that there are so many good people who dedicate their time and energy to building a better Australia. I’ve visited Aboriginal communities, I speak to Indian communities, Chinese communities, Jewish communities, Muslim and Arab communities, to name a few. Every community has the same aspiration – it’s to receive a fair go and it’s to ensure that the next generation of these communities can claim their place as equals in Australian society.”
Visit it stops with me for more 

Ask Auntyji: Relationships

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Reading Time: 5 minutes

There’s no issue too big or too small, whatever your problems, AUNTYJI can solve them all!

Relationship Advice.Indian Link
Helping the help
Dear Auntyji,
My wife and I have been married for seven years. She is a very good wife and mother, but she has a very bad habit that has recently caused us all manner of strife in our otherwise happy home.
When we are here in Australia, my wife is nice to everyone. She smiles and talks gaily and is as happy as a ras malai. But when we go to India for our family holidays, something happens and she turns into this monster. Let me be specific. My wife is wonderful with everyone but she berates the helpers with such ferocity that I am left reeling. She will scold them for all manner of minor misdemeanours, and over the past three visits, this has been the only cause of argument for us. I keep telling her that no one deserves to be spoken to like that, and that my wife should let her sweet nature rule. Sometimes the dhobiwali is left in tears. So, the last time we went on holidays, I told my wife that if she pulled such a stunt again, I would record her and upload it to Facebook.
I was pleased to see her behaviour change, until I was reviewing my video footage and realised that five days earlier, I had inadvertently left the video recorder on while I went to the lobby to pick up a parcel. In the 10 minutes while I was gone, my wife had a go at Bela the cook. When I returned, nothing seemed out of the ordinary. But then, my son told me that every time I left the house over the four weeks on our holiday, my wife yelled at the domestic helper. I was so furious and decided to upload the video to our Facebook account. I think you can imagine the rest, Auntyji. My wife has not spoken to me and there is definitely a chill in the air. I don’t feel any remorse for what I did, because she had been warned, and this is more a demonstration of her character – she behaves differently when she is being watched by me. So what are your thoughts, Auntyji? How do I resolve this pickle I am in?
Relationship Advice.Indian Link
Auntyji says
OMG! Cry me a river, Sheru!  Man, you are not in a pickle, you have become the entire chutney! That was seriously the most scorched-earth policy I have ever seen instigated for a ghar ka drama. You would have to be the most courageous admi ever, or the most nasamajh – or even the most righteous for following through on your actions.
Now, I am not one for promoting acts of aggression in the household, but I think this one deserves special dispensation. On the face of it, your wife showed her true character by engaging in aggression when you were not around to witness it. Berating a domestic helper is the hallmark of a weak, insecure and often horrible person. I have no sympathy for anyone who treats other people like that. Unless the domestic helper has just poisoned nani, or run off with your spouse, they deserve to be treated the same way as any other person. Your wife brought this on herself, if you were to look at it from a logical point of view.
But, in the spirit of ensuring that there is domestic bliss, perhaps showing your wife the video and asking her to explain, would have been a more loving way of dealing with this situation, rather than uploading to Facebook and making a fool out of her. She humiliates the helper, you humiliated her, and the cycle continues. Nothing has changed.
A conversation is in order. Talk to her and tell her that perhaps uploading the video was reckless and you should have showed it to her to demonstrate how much of a dayan she looks when she is going kali on Bela the cook. Other than this, I have no other advice to give. The damage is done, so I guess I’ll be leaving. You are a courageous man. Happy wife, happy life. That thought never crossed your mind when you pressed upload? Dimaag kidhar tha, mere sher dil?

Mark of love?

Dear Auntyji,
My fiancé of 12 months has just told me that he will get a tattoo of my name on his bicep and I am appalled. I am not a god that deserves this type of devotion. How do I stop him from going ahead with it? I have seen drawings of my name – Shayna – in various scripts on his computer. When he is happy with the look and it is just so, he will get it tattooed. Auntyji, I am beside myself because I hate tattoos. I think they are rather common and vulgar and every second person walking down the street has one. It’s mindless conformity and I am not in favour of it. But how do I tell Chris that this is a bad idea? I have told him countless times that I hate tats but ladka meri baat suntha hi nahi hai. Can you make a suggestion please?
Relationship Advice.Indian Link
Auntyji says 
Oh, my sweet gulabo, truer words have never been spoken. Tattoos, once the preserve of sailors, criminals and tribal cultures, have been appropriated by the mainstream – by people who are essentially saying that they will never ever change their mind about anything.
Where once tattoos were a cultural marker, with significance and meaning, today they have become meaningless in their ubiquity. Tattoos in urban settings, unless they are of Ganesha or Hanuman on your back, or on the back of a Yakuza or on the face of a Polynesian, are meaningless. ‘I love Rosie’, or ‘Namaste’ or the yingyang symbol are an eyesore.
So now that my preaching is done, how to solve your problem? Easy. Casually drop into conversation with Chris that you’re considering changing your name because it’s too ethnic sounding or you now know a girl with the same name and you hate her or that you are tired of this name. Come up with any reason, it doesn’t matter. The point is, you’re considering changing your name. Then go to the online site of Births Deaths Registry whatever, and download name change forms and leave them lying about the house. Then, start the process of choosing a new name for yourself. Keep coming up with new names and insist Chris calls you by your new name for a week while you work out whether you like it or not. This will delay Chris tattooing your name on his person. The risk you run of course, is that bogan Chris will decide that instead of your name, he wants a picture of you tattooed on his back, or some other image. If he decides to do this, threaten to call off the wedding. I mean, if you hate tats, why is he insisting on going down this road? Is this his attempt at getting out of the marriage? This is the question I would be asking him. Maybe it’s not about the tat at all. Maybe it’s about you, Shayna…

Learning by example

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Reading Time: 4 minutes

Using exemplar responses is not best practice, instead teachers should be demonstrating positive learning behaviours

It is often said that ‘everything old is new again’. As experience in life builds, it is common to see cycles and patterns. Education practices that have been shown to be unsound are again coming to the fore.
Students need to acquire knowledge and skills, obtain guidance and support, and be engaged and active as participants in learning. In this, the need to learn through modelling is apparent.
It should seem obvious that the need to model starts with demonstrating what should be done: show a process to follow when solving problems, a structure for addressing a problem and creating a solution.
Exemplar Response.Indian Link
In many instances, this is being done. However, there are some practices being observed that provide an example of how learning should not be done.
Consider the following method that is becoming increasingly common amongst educators. The practice involves taking the response from the best student and using it to show others how to write when structuring a response to a problem or question. The use of so-called ‘exemplars’ has arisen in part because the registering authorities require models of such responses to be kept. The authorities actually require that teachers keep responses that are typical of the best (an ‘exemplary’ response), the ‘average’ and also the lowest levels of performance. These scripts are then used to judge whether standards have been correctly adhered to.
From an accountability point-of-view, the keeping of a range of so called ‘typical’ responses is appropriate. However, students and teachers are increasingly using the work of the best students to ‘model’ excellent responses. This burgeoning use of the exemplar or ‘model answer’ is, in my view, flawed for a number of reasons.
Firstly, the use of model responses from a students’ peers encourages competition between peers rather than collaboration. Rather than viewing the subject content, concepts and skills, the object of mastery or focus becomes closing gaps, beating and comparing among others in the cohort.
Exemplar Response.Indian Link
A second issue is who actually sets the modelled standard. Teachers pride themselves on professionalism, yet in using exemplars, they outsource the professional standard to the students and their cohort. This in itself undermines both the teacher and the very idea of professional standards. Moreover, in some schools it creates a sense that the best achiever must be a high achiever when this is not necessarily the case.
A third issue is far more problematic from the perspective of plagiarism. An exemplar that is created by a student’s peer may lead to others copying or quoting from it. This actually takes away from the originality of the creator’s work and even potentially calls into question whether all parodied works or derived works are ‘ghost written’ (vicariously) or even plagiarised. This possibility of this arising points to serious additional flaws with the disseminating of exemplars among peers within a cohort.
Apart from these serious deficiencies, published exemplars and marking guidelines are also sometimes incorrect. Indeed, even aspects of a syllabus can be ambiguous, outdated and poorly worded. This means that teachers need to interpret these documents and, to the best of their ability, clarify intent, meaning and concepts when there are multiple possible interpretations.
Exemplar Response.Indian Link
A colleague reported recently that a ‘precocious’ student sought the best model responses because he was driven to succeed. I wondered whether he trusted his teachers. I also wondered whether his own critique that a response getting 18/20 was really not a good enough exemplar meant he did not need a cohort’s response but rather, a professional’s opinion. That is, the best that his own teachers would accept.
The boy’s response points to further issues. What if a teacher is unsure of a standard, or is unclear about the level at which to place expectations? There are, of course, teachers who do not know the answer to every question posed by every student to a standard that would be deemed exemplary. In this case, a teacher can spend time researching, drafting and fully answering questions as they arise even if this cannot be done always without notice.
In modelling a willingness to learn themselves, the teacher is setting an example. I had a parent recently show me the work she had created for her child to complement the homework given by school. This parent is particularly ambitious for her child and was explicit about her need for her child to get into the best university globally. Even in primary school, she is giving her child work of an inordinately difficult standard. I asked the mother for her answers to the problems she had set. She could not provide answers. Here, the role modelling was totally inappropriate and unreasonable.
Learning by example has many facets, some subtle and some not – but authenticity is a starting point.

Joy and woe are woven fine

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Reading Time: 3 minutes

A review of Kapoor and Sons by TROY RIBIERO

Kapoor & Sons is the saga of a dysfunctional family, which makes you laugh and cry with its members, as you become an intrinsic part of their lives. It is complete family entertainment with universal appeal.
Arjun (Siddharth Malhotra) and Rahul (Fawad Khan) are two siblings, based in New Jersey and London respectively, who arrive at Coonoor to visit their ailing grandfather (Rishi Kapoor) who lives with their parents Harsh (Rajat Kapoor) and Sunita (Ratna Pathak Shah). Their complicated relationships, replete with misunderstandings, accusations, lies, and are yet bound by love, form the crux of this film.
Clearly, the film is about a dysfunctional family, and some realistic elements interwoven in its narrative add to its effectiveness in being relatable to the audience.
Writer-director Shakun Batra can take a bow for his astute handling of a simple story, with a complicated plot owing to the complex lives of the characters. His dealing with human emotions along with the treatment of the subject is what makes the film stand apart.
Kapoor And Sons.Indian Link
The characters are etched to perfection, their lives almost unfolding before our eyes in the two hours. The screenplay is taut and full of unexpected twists which keep you riveted to the screen, never letting your interest wane.
Performance-wise, Kapoor & Sons is impressive too.
Siddharth Malhotra as the “runner-up” or “second best” of the two brothers portrays his angst and resentment in an understated manner. He is every inch the son who tries hard to prove his worth to his parents to make them proud.
Playing his love interest is Alia Bhatt as Tia Malik, a Mumbai-based girl who is an orphan and misses having a family. As always, she renders a zesty performance with oodles of spontaneity and panache and is equally the heart stealer in emotional scenes. She lights up the screen with her joie de vivre.
Kapoor And Sons.Indian Link
Fawad Khan, as the successful novelist and older sibling, essays Rahul with restraint and yet has his moments when he lets his guard down, if only to express his anger, disappointment and hurt.
Ratna Pathak Shah plays the complex mother and wife with aplomb. Whether it is unintentionally hurting her son or accusing her husband of an affair, her display of emotions, though a bit theatrical and dramatic, is a treat to watch.
Rajat Kapoor plays the underdog to perfection, constantly under scrutiny by his wife, being taunted for his failed business attempts and relationship with his former bank colleague Anu.
Rishi Kapoor, of course, as the doyen of the family, is an absolute delight in his genial avatar, complete with a new get up. His childlike innocence, playful nature and being one with his young grandsons – whether smoking or watching a drenched Mandakini in a film – are a few of the myriad moments which audiences will relish. The contrast in his performance stands out in the scene after an unexpected tragedy in his family.
Kapoor And Sons.Indian Link
As far as the music is concerned, Amaal Mallik’s work is melodious, appropriate, but incidental, never for a moment seeming forced. “Kar gayi chull” is fun and peppy and equally apt is the soulful “Saathi re”, which sums up the mood of the situation.
The cinematography is in keeping with the film and Coonoor is beautifully captured in all its elements.
Overall, Kapoor & Sons reflects William Blake’s poem “Joy and woe are woven fine” and is definitely bound to make you emotional.

International Women’s Day at BAPS

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Reading Time: 4 minutes

Community leaders and local politicians look at what women have achieved, and how far we have to go

The ladies wing of BAPS Shri Swaminarayan Mandir, Sydney came together recently to commemorate the successes of women, past and present, at the inaugural International Women’s Day celebrations at the Rosehill temple.
BAPS Women.Indian Link
The event was officially opened in a traditional Hindu manner, as the dignitaries lit the lamp after a brief prayer and warm welcome to the guests.
The befitting theme ‘We have made it’ was introduced to the audience by reminding everyone about the struggle of great women of the past – those who promised and have delivered a better tomorrow.

BAPS Woman.Indian Link
Mala Mehta OAM

Around 200 women were present to celebrate the day, including special guests Julie Owens MP, Julia Finn MP, Mala Mehta OAM, Dr Bandini Mittal and Dr Gurprit Ganda.
BAPS Women.Indian Link
Julie Owens MP

After offering prayers, everyone stood up in unison to applaud and acknowledge their mothers and all other women who have touched their lives significantly.
BAPS Women.Indian Link
Julia Finn MP

This was followed by a presentation on successful women who have inscribed their names to the pages of history. Among them were Rani Lakshmi Bai, Mother Teresa, Kalpana Chawla, PT Usha, Mary Kom, Sunita Williams, Jhumpa Lahiri and Lata Mangeshkar.
This day was not just about honouring these stars, but also providing an opportunity to hear from leaders of the local community. They spoke about their own pathways to success, and also the strategies they see women use to challenge the frameworks that still prevent them from reaching their full potential.
BAPS Women.Indian Link
As rightly put by Julie Owens MP, “While many of us are making it and doing quite well, there are still so many women who are not being given the opportunity to contribute the way they should be able to, to make this world a better place.”
Reiterating the message she gives each year around International Women’s Day, she said, “While some of us are doing well, there are many more whose talents, abilities, strengths and courage this world is wasting everyday because we don’t create the paths for them to shine.”
BAPS Women.Indian Link
Sadly, not all women enjoy the same freedom that we do, as is reflected in the statistics from the UN: one in three women around the world will experience violence in her lifetime.
Real change can only happen when women are empowered. It is estimated that across the world, gender parity will be achieved only in 2133, noted Dr Gurpreet Gupta.
BAPS Women.Indian Link
Julia Finn MP highlighted in her speech that here in Australia, women earn 17 per cent less than men and gender equality at senior levels in the workplace is yet to be achieved.
In terms of women’s success, she stressed the importance of elevating women at all levels and having equal access to opportunities.
Speeches from Mala Mehta OAM and Dr Gurprit Ganda also provided encouragement to the audience.
BAPS Women.Indian Link
The event ended with a small skit on Rani Lakshmi Bai and a video about the excellent community work being carried out by BAPS.
While women have come a long way, a lot more needs to be done. With a feeling of empowerment and drive for bringing further change, everyone felt bittersweet, standing together and proudly saying, ‘we have made it’ in our own small and mighty ways!

The magic of motherhood

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A Bharathanatyam performance explores the relationship between mother and child

In a child’s eyes, a mother is a goddess. She can be glorious or terrible, benevolent or filled with wrath, but she commands love either way. This was the concept explored through the Bharathanatyam dance performance “Amma” by Shobana Suresh recently at the Casula Powerhouse Performing Arts Theatre.
Amma.Indian Link
Starting with a vibrant kauthuvam on “amma” by Madurai Muralidharan leading to a varnam by the doyen of dance Dandayudhapani Pillai, Shobana took the audience on a journey through the various aspects of one’s relationship with their mother, starting from conception to maturity. Be it the little tickle that amuses you as a baby, the patient feeding and rocking to sleep routines that lead to your development, or the moments of pure joy in playfully engaging your time: the mother’s selfless role in an individual’s life is incomparable. Shobana portrayed the role of the mother, and these myriad subtle expressions were found through her graceful angika abhinayam (body language and facial expressions), and appropriately chosen vacika abhinayam (the lyrics of poetry presented in song and dance).
Expressive dance was punctuated with energetic jathis presented to precision by Chidambaram R. Suresh on the Nattuvangam (cymbals), and Pallavarajan R. Nagendran on the mridangam (percussion). This slotted into varied patterns like the colourful glass chips of a kaleidoscope.
Amma.Indian Link
The second half of the performance saw the many aspects of a mother’s pride, patience and persuasion as she raises her child from the stage of a toddler to an adult. Shobana changed roles with ease and was convincing accompanied by talented musicians, Arjunan Puveendran on vocal, Kranthi Kiran Mudigonda on the violin and Mohan Ayyar on the synthesiser. She aptly conveyed parental pride in one’s offspring as explored in Bharathiyar’s timeless composition chinnachiru kiliye, and the patient persuading of a young child to see sense in the riveting conversation between Yashosha and Krishna in maadu meikum kanne.
Shobana also performed a scene of the mother giving advice to an adult daughter who is impatient in her relationships as portrayed in the padam ethanai sonnalum. The penultimate piece was an explosion of rhythm, a Thillana, a composition fully home-grown, with rhythmic syllables composed by Chidambaram. R. Suresh and music composed by Akhilan Sivanandam from Melbourne.
“For some time now, I have been wanting to do a dance production about a mother, as I lost my mother at a very young age,” said Suresh who partnered with Shobana for the choreography. “Working with this theme brought her back to life in a way and made me connect to her spiritually through this art form.”
Added Shobana, “For me, I thought a production on maternal love is something that people from all cultures could relate to. I felt a sense of joy and gratification as I danced in front of both my mother and daughter which made all the difference.”
The concluding piece, the mangalam, brought the performance to an auspicious close celebrating amma (mother) as the one who fills every atom of a living being, mind, body and soul.

Feeling safe with your partner

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What men can do to help in the fight against domestic violence 

Only days before we heard of yet another domestic violence fatality in our community (this time in Queensland), Sydney’s Mohit Kumar was urging men to stand up against such crime.
“Men are in a unique position to stop other men from perpetrating this crime,” Kumar said at a Blacktown forum. “If you see or suspect that this is affecting someone in your family or friends, call it out. Call the police and do something about it.”
His message clearly did not reach out to the community in which 43-year-old Balwinder Ghumman lived, who killed his wife Manjinder and her mother on 14 March.
In the light of this horrific incident in which two other family members were seriously wounded, Kumar’s message needs to be repeated, louder and clearer.
As a White Ribbon Ambassador, Police Prosecutor Mohit Kumar was speaking at an Indian subcontinent community forum organised by White Ribbon Australia in collaboration with Seva International and the NSW Department of Social Services.
Domestic Violence.Indian Link
White Ribbon is Australia’s only national male-led campaign to end violence against women.
The forum, held at Blacktown Workers Club, was intended to spread their message of primary prevention among people from multicultural backgrounds. In conjunction with Blacktown’s law enforcement agencies, the campaign has been working to encourage male leadership in the Indian community to support the prevention of men’s violence perpetrated against women.
Blacktown’s Local Area Commander Superintendent Gary Merryweather, also a White Ribbon Ambassador, spoke passionately about tackling domestic violence. “Everybody has the right to feel safe out in the public or in their homes,” he said. He talked about the work being done by the Blacktown police to combat domestic violence, and in reaching out to the public in their community-driven campaign.
Senior Constable Genelle Warne, a Domestic Violence Liaison Officer, also addressed the forum. “Domestic and family violence occurs in all sections of the community and in all cultures, and one in three women is experiencing it,” she said. “My one role is to ensure that a victim is being protected by the law. If they still want to be with their family, those perpetrators have to realise that their actions are wrong. Very often perpetrators do not realise that their behaviour is incorrect. This is where we need to create awareness.”
Domestic Violence.Indian Link
Recipient of the 2015 Blacktown Woman of the Year award, Sr Const. Warne urged people to call the police if they need help dealing with a domestic violence situation. “You should be able to live in your home without any fear,” she said. “I would like to tell the men who have sons and daughters to teach them to respect each other and to treat each other well.”
In his address, Police Prosecutor Mohit Kumar engaged the audience with stories from the Indian community and described some of the deep rooted cultural barriers in maintaining respectful relationships.
Diversity and Inclusion Manager at White Ribbon Australia, Sunila Kotwal, and Sumati Advani, Chief Operating Officer of Seva International, also spoke. Both reiterated the need to safely and effectively challenge the outlook of the minority of men who use or condone violence against women.
Other speakers highlighted different aspects of the social, physical and emotional factors associated with these behaviours.
Akshay Raj, a lawyer by profession, spoke from a legal perspective about societal gender inequality. He also spoke about his work with university students in promoting respectful relationships.
White Ribbon Ambassadors Umesh Chandra (who flew in for the event from Brisbane) and Liam Dooley (Community Engagement Manager at White Ribbon), highlighted the extensive work of the White Ribbon Ambassadors to raise awareness and provide tools to prevent men’s violence against women.
Other speakers included hip hop artist L-FRESH, The Lion (Sukhdeep Singh), local barrister Susai Benjamin, and Allied Health Consultant Anne Kalra.
Avnish Sandhu from Pink Ladoo brought in a different perspective and spoke about focusing on gender equality at birth, by celebrating the birth of a daughter.
Perhaps the men who lived and worked with Balwinder Ghumman would like to answer this question: could you have done something to save the lives of two innocent women?