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Colourful characters

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Reading Time: 4 minutes

From fictional detectives to Pakistan’s cricketers

Tarquin Hall.Indian Link
If you are a fan of Alexander McCall Smith’s feisty Botswanan detective Mme Ramotswe or Colin Cotterill’s philosophical Laotian coroner Siri Paemboon, you are bound to like Tarquin Hall’s affable sleuth Vish Puri. Puri is the Delhi-based detective from the Most Private Detective Agency, a creation of British-born writer Hall, who now calls Delhi home.
Tarquin Hall.Indian Link
Vish Puri is quaint in many ways; he is an admirer of Chanakya, the minister and kingmaker to the Guptas, and arguably the founder of the art of statecraft – a claim often attributed falsely by European writers to Machiavelli, whom he preceded by more than a 1000 years. It was Chanakya, again, who wrote a manual for spies and invented the tradecraft of spying.
In his first book in a series, The Case of the Missing Servant (2008), Hall assembles a cast of very colourful characters around Vish Puri, including evocative ones such as Facecream, Flush and Tubelight. Hall captures the nuances of Delhi – and Indian society – to a T. He works through the maze of the Indian caste system, the oddities of Indian middle class life, cricket scams, an arranged marriages without committing a gaffe – and that is saying a lot.
The Hindlish spoken in the novel is also reproduced fairly authentically, however, I have a caveat – Hall goes a bit overboard with it. Where conversations must have, in all probability, taken place in Hindi, Hall recounts them in quaint Hindlish which unnecessarily infantilises the characters. By the time you have read pages of “So much interference is there, na?” “Just an emergency type situation is there” and “Don’t do tension” – the humour palls. Fair enough, Hall admits he is essentially writing for a Western audience that does not know India. However, McCall Smith and Cotterill are doing much the same thing without parodying their protagonists.
Tarquin Hall.Indian Link
Those who have lived in Delhi can take comfort in familiar landmarks and areas such as Puri’s Khan Market Office, the trans-Jamuna colonies, Gurgaon and the like. Puri’s extraordinary family – the Chopra clan – are quite likable, but it is his mother I found most intrepid and endearing. Without giving much away, suffice to say that while her son is out investigating murders and mayhem, she quietly solves a mystery of her own, quite unbeknownst to her son.
Hall’s other books in the Vish Puri series include The Case of the Man Who Died Laughing (2010); The Case of the Deadly Butter Chicken (2012) and The Case of the Love Commandos (2013).
***
Osman Samiuddin must already have a large following among cricket fans as he has been a regular contributor for over a decade to online cricket websites such as ESPN Cricinfo, The National and others. He has now written a superb book The Unquiet Ones: The History of Pakistan Cricket (2015).
unquiet ones.Indian Link
This book is not only a definitive account of Pakistani cricket, but also a history of Pakistan seen through the prism of cricket. It begins with the first tour of England in 1954 and ends with the recent match-fixing scandals. Samiuddin describes both the tree and the woods; he paints a wide canvas, but also packs the book with innumerable anecdotes and details.
Samiuddin describes how Pakistani cricket teams have been riddled with contradictions. When they won the World Cup in 1992, Imran Khan was barely on speaking terms with his senior players. Yet, it was the heyday of Pakistani cricket, this was the team that invented the ‘doosra’ and the reverse swing.
There are wonderful snippets from Pakistan’s cricketing glory days and astute observations on Pakistani society as well. Even those not remotely interested in cricket (as is the case with this reviewer), will find this book engaging, precisely because it goes beyond the sport, and provides a window into Pakistani society and polity. I particularly enjoyed the brilliant piece on Pakistani masculinity seen through its cricketing heroes.
osman saimuddin.Indian Link
The chapter on match-fixing provides first-rate analysis of the shenanigans, and anyone who reads it will walk away with a clearer picture of the whole phenomenon.
Samiuddin is knowledgeable, passionate, humorous and articulate. Each of the five major chapters is narrated through one or two of its prominent players. There are delightful descriptions of Minto Park (now Iqbal Park), the 2009 Senate hearing, the travails that even talented players like Misbah once underwent, the transformation of the sport from the humdrum 1960s to the glitter of the present times.
As one writer remarked, “With Samiuddin, Pakistani cricket has finally got the chronicler it deserves.”
 

Child car seats – keeping kids safe

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Reading Time: 2 minutes

How young is too young for children to be removed from car seats?

kid-in-a-car-seat.Indian Link

Legally, children aged seven years and above can be restrained in an adult seat belt, but new independent research commissioned by Slater and Gordon Lawyers found nearly one in five parents would wait longer.
The research also found mums (20 per cent) were more likely than dads (17 per cent) to use safety restraints beyond seven years of age.
Slater and Gordon have helped many parents who are trying to put their lives back together after car crashes. One client’s story highlights the importance of child restraints.
Five days before Christmas last year, the client’s vehicle was t-boned by a stolen car that had run a red light. Even though the vehicle directly hit his car door, her four-year-old son was unharmed. His mother is certain that his booster seat saved her son’s life.
Sadly, her eight-year-old daughter was not sitting in a booster seat and broke her pelvis. After helping her through a tough recovery, her mother has reinstalled her daughter’s child restraints and to keep her strapped in longer.
Up to 80 children are killed and thousands more injured in road crashes each year.
Slater and Gordon motor vehicle accident lawyer Eid Kazzi said the child restraint laws are a minimum requirement only – there’s no reason you can’t keep your child strapped in over the age of seven.
If a child is sitting in an adult seat, the shoulder belt should lie across the middle of their chest and the lap belt should be low across the hips and pelvis. They should be tall enough to sit against the vehicle seat back with their knees bent. Eid said parents needed to consider their child’s height and weight when deciding whether to remove them from car seat child restraints.
Eid Kazzi is an Accredited Specialist in Personal Injury Law and works in Slater and Gordon Liverpool office. He can be contacted on 02 8711 4800 for any legal questions.

Mudgal’s brief magic

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Reading Time: 2 minutes

Shubha Mudgal and Aneesh Pradhan perform in Melbourne

Shubha Mudgal.Indian Link
One of the most famous names in Hindustani vocal music, as well as Indi-pop and other experimental, fusion and cross-cultural music genres such as her popular Sufiana Trance, Shubha Mudgal recently conducted a performance in Melbourne of Khayal, Thumri and Dadra.
As part of its 50th anniversary celebrations, the Sir Zelman Cowan School of Music at Monash University organised more than 200 performances as well as research seminars, masterclasses and CD launches. Featuring international and local artistes, students, ex-students and staff performers in the concert series, held from late August to early October, included Ki Joko Susilo, the Javanese Dhalang puppet master, Kate Ceberano, Paul Grabowsky and Paul Dyer.
Two evenings were set aside for an Indian musical segment. On the Friday evening, Adrian McNeil, sarod player and senior lecturer in ethnomusicology at the School, presented an evening of Hindustani music with the world renowned Aneesh Pradhan on the tabla. This was followed by a tabla solo by Pradhan who was accompanied by Sudhir Nayak on the harmonium. Pradhan performed compositions from the Delhi, Arjada, Lucknow, Farrukhabad and Punjab gharanas of tabla.
Shubha Mudgal.Indian Link
The following day, Pradhan and Nayak supported Padma Sri Shubha Mudgal in concert. Born into a musical family and trained by some of the finest musicians and musicologists in India, Shubha Mudgal’s repertoire of bhakti and Sufi poetry includes rarely heard hymns from the Vaishnava Pushti-marg poets. She is also known to perform the Nirguna poetry of Kabir, Namdev, Nath-panthi poets and Amir Khusrau and other Sufiana poetry.
Her performances in Khayal and Thumri were masterful. The khayal is an improvisatory form that was cultivated in the princely courts from the mid-18th century and has been the predominant concert vocal genre since the 19th century. The thumri was kept alive in the salons of courtesans. It was highly refined and sensuous and used text and melody as a vehicle for emotive expression.
Mudgal’s performance at the Alexander Theatre at Monash University was brief but stunning. Her strong, crystal clear voice cut a swathe through the audience and filled the auditorium with her music.  Her Thumri in raag Rageshri was the piece de resistance as she wove intricate patterns and charmed the audience with her vocal pyrotechnics. When the performance concluded, the audience was loathe to leave, and asked her to sing a Meera bhajan. She obliged, concluding her concert with its reverberating melody.
The mixed audience applauded Sudhir Nayak’s dexterity on the harmonium as he echoed Mudgal’s melodies; and Aneesh Pradhan’s mastery on the percussion.

A melting pot of talent

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Reading Time: 4 minutes

Sawan Spring Festival 2015 was a multicultural potpourri of arts, music and dance. PREETI DAGA reports

Preeti Daga Sawan Spring Festival. Indian Link
With less than 24 hours to go, to the Sawan Spring Festival 2015, I received an unexpected phone call. On the relaxed Saturday afternoon the organisers of the Festival rang seeking my availability and interest in being the emcee for the multicultural event. Their emcee had taken ill and was unable to do the show.
I could hear a voice full of anticipation and trepidation at the other end of the line wondering what my response might be. Well, it was rather simple, of course I said YES!
How could I refuse the opportunity to be part of a unique multicultural event, which had more than 50 local artists from diverse communities all sharing their love for arts, music and dance? I simply couldn’t resist.
As an avid performer and admirer of performing arts, it was an incredible opportunity for me to meet some of the most talented local artists ranging in age from five to 50 years old.
 Sawan Spring Festival. Indian Link
I wanted to take the audience on a sensory journey full of wonder, love and pure delight. I am thankful to the team at Sawan Spring Festival for thinking of me and having the confidence to bring me in at the 11th hour.
Sawan Spring Festival was a celebration of three important things – the arrival of a new season and with it the celebration of art, music and dance; Australia’s multicultural spirit; and spreading the messages of unity and harmony on the occasion of World Peace Day (20 September). And it was exactly that.
The event was a real melting pot of diverse cultural performances by students from the School of Indian Dance and Music of Australia (SIMDA) among other talented performers. Routines ranged from solo music acts to duets, group dance performances to classical Indian and contemporary Bollywood music, a rendition of Marylyn Monroe’s ‘Diamonds Are A Girl’s Best Friend’ to amazing Middle Eastern tunes.
 Sawan Spring Festival. Indian Link
The successful event was well-supported and those in attendance included Mayor of Monash, Paul Klisaris, Steve Dimopoulos MP representing Minister Robin Scott, Monash Councillor Geoff Lakes, Anjan Bhaumik from the Indian Consulate, and Jasvinder Sidhu, Multicultural Advisor to Victorian Premier Daniel Andrews.

From the traditional folk Gidda dance of Punjab, to those busting out Bhangra and Garba; from the electrifying steps of Mandy Dance Group, to the graceful Belly dancing of the Oriental Queens; from the melodious tunes of a Turkish singer Hossein Abbasi to Karly Jewell’s rock band. This event showcased a patchwork of cultures and talent on stage with one thing in common – their passion for performing arts and promoting the message of love.

One of the highlights of the event was a multicultural fashion show conceptualised by Yogita Bhardwaj of Yabs Group which saw the participation by women of varying ages from diverse cultures including Australian, Indian, Chinese, Vietnamese, Russian, Malaysian, Arabian, all  strutting their stuff to the tunes of a live rock band.
 Sawan Spring Festival. Indian Link
I was honoured to be invited to represent India as part of this unique fashion show, which was truly a celebration of inner beauty, culture and womanhood.
A clear audience favourite was a dance act performed by Hiral and Innesa, winners of the 2015 Telstra Bollywood Dance Competition, to the Bollywood song ‘Badi mushkil baba badi mushkil’ by the famous Madhuri Dixit. Their moves and expressions left the audience wanting for more.
Emcee Preeti Daga Sawan Spring Festival. Indian Link
The event also saw the participation by the winners of the 2014 Indian Australian Idol – Lakshmi Ramswamy and Adarsh Nair – singing a Bollywood duet.
The list of splendid performances goes on, but one that inspired the entire audience to put their dancing shoes on was the live performance by an African band Zito Ballo, formed by refugees. It captured the message of unity and togetherness perfectly. It was a delight to watch as they filled the venue with good vibes and got everybody up and moving.
Sawan Spring Festival. Indian Link
Such large events are not possible without the active support of the sponsors, organisers, volunteers, media and the community. Held at the Clayton Town Hall and attended by over 500 people, the festival team headed by the Event Director, Nawal Moudgil from SIMDA, and supported by Faezeh Parkes, the Multicultural Director, should be very proud of their efforts.
To my mind, one of the Sufi dance performers, Sheena Noor, beautifully encapsulated the spirit of the show: “Sawan 2015 was a beautiful culturally diverse event. It was great to be part of a show that represented so many different expressions of music and dance. Because of the kindness of all the volunteers involved and their tireless efforts to bring this event into reality, it was a very successful show.
My only hope is that Sawan 2016 can be even bigger, representing even more cultures on a grander stage as I would like Melbourne to see how diverse it really is.”

A desi party, student style!

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Reading Time: 3 minutes

Students from Sydney University’s Indian, Pakistani and Tamil societies come together to host the inaugural Desi bash! VAISHNAVI SOTHIRAJAH reports

DESI BASH.Indian Link
Who can resist a good Desi party?
A collaborative effort between the South Asian societies on campus to bring together students of the South Asian community three student societies at the University of Sydney recently held our inaugural Desi Bash.
desi bash.Indian Link
An effort to acknowledge the diversity in culture that makes us each unique while simultaneously celebrating that which makes us one – being Desi – Sydney University’s Ekansh Indian Cultural Society (Ekansh), Pakistani Culture Appreciation Society (PakSoc) and the Tamil Society (SUTS) worked together to put on a fabulous party.

DESI executives.Indian Link
Executives from all 3 societies – Sydney University Ekansh Indian Cultural Society, Pakistani Culture Appreciation Society as well as the Sydney University Tamil Society

It was clear that the passion and enthusiasm was not just felt by the executives, but by all desi students on campus. There are very few instances where we get to let loose in true desi-style here in Sydney, and the energy on the dance floor was electric and contagious. Be it Bollywood’s Chikni Chameli or Pakistani’s Desi Thumka or Tamil’s Appadi Podu, everyone was on the floor with equally fanatical dance moves, regardless of language, regardless of borders.
dance floor.Indian Link
But of course, with three passionate societies, there has to be some healthy competition right? And what better way to compete than a dance off! Dancing to Kajra Re, the executives of all three societies gathered to show off their dance moves on the floor. Competition truly was tough, and all three societies were equally declared winners!
dance moves.Indian Link
With more than 250 students and guests attending, Manning Bar that Wednesday night successfully transformed into a Desi club.
When the idea for a collaborative event first came up among our three societies, there was a palpable level of enthusiasm. To our memory, a desi party has never been held at our university campus. And to our memory, neither has a collaboration between three South Asian societies of three different countries been held at our university campus. This, indeed, was a milestone to celebrate.
desi party.Indian Link
From printing tickets, to designing posters, to setting up stalls to promote our event, every aspect of the organisation was shared equally between the three societies. It was touching to see the effort and the level of passion that the executives put into this event. Going beyond borders and coming together to celebrate that which makes us one was the core reason for coming together and jointly hosting the event.
Desi bash.Indian Link
DJ Ammar (far left), with Ali Jehanzeb, Secretary to the Pakistani Society; Arkash Jayanandan, President of SUTS; and Vaishnavi Sothirajah, President of Ekansh

A huge thank you to our photographers for the night, Karmatography and Ravyna J Photography for their beautiful pictures as well as to the DJ Ammar for his wonderful work. With the event and attendance exceeding our expectations, our goal now is to deliver bigger and better events and for more collaborations between our societies in the future. And of course, Desi Bash will be back next year!
 
Vaishnavi Sothirajah, President, Sydney University Ekansh Indian Cultural Society, reporting on behalf of Sydney University’s Ekansh, Pakistani Culture Appreciation Society (PakSoc) and Tamil Society (SUTS)

Dhamaal Dandiya

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Reading Time: 3 minutes

Legendary Jaykar Bhojak takes to the stage in Melbourne

Jaykar Bhojak.Indian Link
Jaykar Bhojak’s Dandiya night, held recently at the Westside Indoor Sports Centre in Altona, was a riot of colour and fun. It was a special occasion as the audience gathered to hear a king of dandiya, and legendary singer, Jaykar Bhojak and his troupe.
The huge crowd dressed in colorful costumes and traditional outfits. The women looked gorgeous in their chaniya cholis while the men looked handsome in their kurta. It was as though a mini India had descended on the suburbs of Melbourne.
Jaykar Bhojak.Indian Link
The event began with traditional prayer of Maa Durga, the ‘Durga Aarti’, asking for protection and blessings from the Goddess.

“Sarva Mangala Maangalye Shive Sarvartha Saadhike
Sharannye Triyambake Gauri Naraayani Namostute”

Jaykar bhai’s voice touched the hearts of all those present, and we felt transported to the streets of Ahmadabad. A mesmerising number “Mor Bani thangat kare” followed. This folksong set the stage on fire. It is now immensely popular – even with the non-Gujarati crowd – after it was used in the Bollywood blockbuster Ram Leela.
Jaykar Bhojak.Indian Link
Jaykar Bhojak’s voice brought the warmth and affection alive with ‘Sanedo Sanedo’. This is a song that is most popular in the community from Navratri to weddings. It has always tugged at the hearts of both young and old, and this rendition ensured no one left the dance floor.
Jaykar Bhojak.Indian Link
The crowd also enjoyed a variety of Indian vegetarian snacks and street food like pav bhaji, samosa, vada pav, dhokla, khichu, bhel and the special strong Gujarati masala tea to regain their energy and continue to dance the night away.
Around this time each year, many Indians celebrate Dussehra or Vijayadashami, one of the biggest Hindu festivals, to commemorate the victory of Lord Rama over Ravana and the slaying of demon Mahishasura by the Goddess Durga in order to protect her devotees.
Jaykar Bhojak.Indian Link
The northern part of India celebrates Dussehra with the famous Ram Leela while the southern part follows the traditional Kolu or Golu. Eastern India brings on the festivities with Durga Puja while the western parts of India, begins the festivities with Navratri (nine nights of celebration).
Navratri is the biggest festival in the state of Gujarat and people celebrate it with great pomp and fervor. Devotees pray to the Goddess Durga for protection and prosperity and perform Dandiya and Garba – dancing in a cyclical fashion moving in spirals or circles.
Jaykar Bhojak.Indian Link
The term Garba originates from the Sanskrit word ‘Garbha’, meaning ‘womb’. It signifies the ‘deep’ or the lamp. The rings of dancers symbolise the life cycle of the human body from birth to death and rebirth.
Another interpretation of this cyclic movement is the unison of the soul with the divine within the human body. People also believe that God resides within the soul and thus this dance form honors the unison of the human mind with the divine power of God.

Urban turban

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Reading Time: 9 minutes

It’s faith as well as fashion for Indian Australian blogger and turbanista Karan Kaur

The first thing you notice about Karan Preet Kaur is her turban.

Her unique fashion style makes itself obvious a few moments after your eyes linger on her head, and you become aware of her distinctive ways with the trench coat or the leather jacket, the trousers or the skirt, the aviators, the statement necklaces and the boots. Oh, and her innovative ways with pashminas and scarves.
But first, it is the turban that draws attention. It is almost as if she’s saying, hey, look at me, I’m wearing a turban, I’m loving every minute of it, and I bet you are too.
“It’s my crown,” she says of her turban. “I wear it with pride!”
A 21-year-old fashion blogger, Australia-based Karan has made a name for herself in Sikh communities the world over. Her Instagram account Style with Kaur has garnered some 17,000 followers since it was launched in 2014, with one thousand in the very first month alone.
style with Karan Kaur.Indian Link
What attracts them, clearly, is her sense of style; her neat lines and her calm and collected demeanour cast her in an air of elegant high fashion, with just the tiniest hint of attitude.
But with regard to her headwear, her modern take on something so traditional – and her absolute comfort with it, to the point of actually flaunting it – is making her something of a role model to women her age.
To put it simply, Karan is ‘kaur-geous’, to borrow a frequently-used term in the comments section of her blog.
style with Karan Kaur.Indian Link

The Sikh turban is not only becoming increasingly visible in mainstream Australian society, it is becoming better understood as well.

The young Sikh man in New Zealand who took off his turban to help a bleeding accident victim earlier this year made world headlines for his selfless act, and also helped draw attention to the special significance of the traditional head wear in his religion. The turban-wearing taxi driver in Darwin who regularly supplies meals to the less fortunate similarly highlighted the special tenets of his religion Sikhism, in this case, the idea of seva (service to society).
This is in contrast to the post 9-11 backlash the community faced, as they were confused with Islamic terrorists due to their turbans and facial hair (which the religion bans from cutting).
By being strong in their faith, the Sikhs have begun to have their religion – the fifth largest in the world, larger even than Judaism which comes in at sixth – better understood.
style with Karan Kaur.Indian Link
Karan Kaur is doing this in her own way as a turbanista-fashionista.
She tells Indian Link, “For me, wearing a turban is more than just representing myself. I’m an ambassador for my religion. Being fashionable doesn’t necessarily mean you need to follow the trends, it also means you can be a trend setter. You want your personality to reflect in your style; it’s about making a statement without ever whispering a word.”
You can hardly blame the fans for hailing her ‘chardi kala’ (Punjabi for ‘positive attitude’). Why, she even modelled a statement hoodie with the words ‘Feeling the chardi kala vibes’. You go, girl!
style with Karan Kaur.Indian Link

Sydney-born and bred, Karan Kaur took to the turban only in her teens.

“I was 16 years old when I started wearing the dastaar (turban),” she reveals. “When I first put it on, I felt like a queen! It was my crown. Choosing the dastaar was honestly the best decision I have ever made. It was (the culmination of) a spiritual journey. My dastaar is very sacred to me. It not only defines who I am, but what I stand for. Both my parents and my younger sister wear the dastaar, as well as some of my close friends.”
style with Karan Kaur.Indian Link
The act of wrapping the turban around the head is said to be spiritual in itself. It is prescribed that one should steady the mind and calm oneself before starting the process of tying the five metres of fabric.
To remove as well, it is recommended to unwrap carefully so that it doesn’t touch the floor, to shake out and then fold neatly until its next use.
Even non-Sikhs who have tried on the turban (such as in the Turbans and Trust*) have reported that wearing the turban evokes a sense of peace.
Karan says it takes her no longer than 5-10 minutes to put her turban on. “I use F74 and mulmul (muslin) fabric. I have many colours, but the main colours I tend to wear are black, white, navy blue, royal blue and orange.”
style with Karan Kaur.Indian Link
How do others treat her because of her turban? Do they think she is overly religious? Has she ever felt ostracised because of it – or that she has been treated differently?
“It all comes down to the way you behave and act towards others. People around me, including strangers, don’t treat me any differently. I believe this is because I myself act normal with them, without making things awkward,” Karan says.
“Australia is definitely changing; what once was a melting pot is now becoming a society with various distinct ethnicities. The mainstream community have become more accepting of our differences. It was quite easy for me to wear a dastaar at work and school. People were actually very welcoming and understanding of my appearance and supported me from day one. Perhaps this was because I took the initiative myself to educate them about what the dastaar means to a Sikh and the significance it holds. I’ve learnt that if you educate the people about your culture, they are respectful of it.”
Would she encourage her daughter to wear the dastaar, when she has one?
“I would never force my children to wear the dastaar,” Karan replies with conviction. “I will obviously guide them in the right direction, but I will give them the responsibility to decide if they want to wear it or not.”
style with Karan Kaur.Indian Link

Karan Kaur launched Style With Kaur as a Fashion Design and Technology student in March 2014.

It came about as the result of not having Sikh role models who embraced an edge to their fashion while still adhering to the basic  tenets of their religion.
“After years of frustration with the fashion world and my inability to find someone, even a designer, who spoke to my needs, I felt it was time I took matters in my own hands,” Karan says. “I realised that a female turbaned model did not exist. For males, there are prominent turbaned figures in the film and fashion industry, but for women, there are none. That is sad, given that my religion is all about equality between the sexes. So I wanted to change that; I wanted to push the norms and create a runway for turbaned women. Also, I thought it would be really interesting to see the fashion industry’s response to turbaned Kaurs. This was my inspiration for Style With Kaur.”
The dastaar forms an essential aspect of her style. Well, it is the reason for Karan to be fashionable – it is what makes her more fashion-forward.
style with Karan Kaur.Indian Link
“I usually select my dastaar first – it is the first thing people notice! I believe it is what makes my outfits look good and ‘stylish’. I always match the colour of my dastaar to the outfit I’m going to be wearing. I’m fascinated with wearing different patterned dastaars. Some people might say it is not in the Sikh norm to wear such dastaars, but I believe being unique is what differentiates us from others.”
Karan claims she doesn’t have a particular role model that inspires her, even though her blog is replete with references to the usual personalities you’d expect such as Audrey Hepburn and Coco Chanel, and Sonam Kapoor from the Indian scene.
style with Karan Kaur.Indian Link
But she is a keen observer, and learns from other people.
“I always look at how people dress and think how I would style them differently! In my own fashion sense, I like to stand out and look different to everyone else. I use fashion to represent who I am. I make my personality shout through my clothing. I want people to know who I am without having to say anything.”
“The number one step in finding your fashion philosophy is to be honest to yourself. I cannot express how important it is to be yourself. You don’t want to portray yourself as someone you’re not. The worst thing you can do, and the biggest gap in defining your style, is wearing clothes to simply ‘fit in’ or to have a sense of belonging. Keeping it real and being true to yourself is the only way on discovering your style journey.”
style with Karan Kaur.Indian Link
Of her 16.8k Instagram followers, it is hard to define a typical admirer. They come from the Sikh diaspora in Australia, US, UK and of course India (check out Karan’s posts from her recent travels in Punjab to see how fans in Ludhiana, Jullundur and Chandigarh reacted to news of her visit to their towns). There are young women her own age; older women and males who encourage her Sikhism; Muslim women who are forging their own style within their own faith, and Caucasian members who simply like her style.
style with Karan Kaur.Indian Link
Jhalandar.Indian Link
Of course, there are also those who are critical.
Some, for example, say Sikhi (Sikhism) is about simplicity and fashion has no place in the religion.
Karan’s response? We live in the 21st century and must adapt to changing times.
“I want to show Sikh women they can mix religion with fashion and show them it’s OK to be stylish and fashionable while still being religious.”
style with Karan Kaur.Indian Link
In the early days, there was much comment about her eyebrows – were they plucked? If they were, then it was claimed she was not an Amritdhari (baptised) Sikh, who are banned from cutting any form of hair on the body, and as such, she had no business in donning the turban.
As the discussion carried on, Karan made some attempts to explain, and then, perhaps wisely, gave up altogether. (Mitti pao, she once said prudently, colloquial Punjabi for ‘let’s close this debate and move on’). Luckily, most of her followers took her advice. When the issue crops up occasionally now, she chooses sagely to ignore it.
What she definitely does not ignore, are the requests for styling advice.
“I get messages all the time from young girls that are scared to wear certain clothing because of the dastaar. I help them out as much as I can. I tell them that developing your style is like painting a picture. Your body is the blank canvas and your clothing is the artwork. By using your imagination you are able to create an outfit according to the occasion, the weather or your mood, just like creating a painting.”
style with Karan Kaur.Indian Link

So, what’s in the future for Karan?

“Honestly, I don’t even know myself. There’s so much I want to do and achieve! I want to take as many opportunities as I can with styling Sikh women, because I know they are definitely not represented enough in the media and if Style With Kaur can change that, that would be terrific. Then, a fashion line maybe; my vision is to create something unique and different – modest and yet stylish and trendy. And of course with the incorporation of Indian couture.”
style with Karan Kaur.Indian Link

More about the Sikh turban

The turban is the most identifiable symbol of Sikhism – or Sikhi as its practitioners call it. It is an essential part of religious bana (attire).
At a time when Hindu and Muslim aristocrats alone wore turbans and carried swords, all adherents of the Sikh religion were instructed to do so too, as a means to signify that all human beings are equal.
The unshorn hair is tied up in a top knot over the solar centre. The pressure this creates on the solar centre is believed to help in the channelling of energy during meditation. The top knot is covered with five metres of cotton cloth. The pressure of the multiple wraps keeps the 26 bones of the skull in place. The pressure points on the forehead are said to help keep the wearer calm and relaxed.
As part of its non-sexist philosophy, the Sikh religion welcomes women who want to wear the turban.
The turban looks different for men and women because the solar centres are located differently: at the top of the head for males (at the anterior fontanel or the dashan dwaar, the tenth chakra), and further back for females (at the posterior fontanel). The women’s turban therefore becomes rounded, whereas the men’s version is pointed.
For both though, the turban is more than a mere piece of cloth: it is one and the same with the wearer’s head.

Against the grain

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Reading Time: 3 minutes

Don’t overlook the humble cauliflower, when it comes to being inventive with your cooking

cauliflower rice.Indian Link
This isn’t your typical meal of rice with cauliflower in it. Instead, the cauliflower florets are blitzed to a finely grated form to mimic rice.
The rise of the ‘raw food’ trend has been momentous in recent times, especially given the current focus on health and natural living. Cauliflower is one of the first ingredients that began to be used in its raw form as a substitute for grains. A couple of brilliant cooks and chefs started to come up with delicious and unique ways of using cauliflower beyond its traditional form. Today, it has a cult following around the globe.
A basic and affordable vegetable, cauliflower is often overlooked – especially in comparison to its famous cousin, broccoli. But the truth is, cauliflower has so many health benefits as it contains an array of nutrients.
Cauliflower is rich in antioxidants which provide cancer-fighting properties. It also has anti-inflammatory properties and is rich in Vitamin C, Vitamin K and beta-carotene. It also has excellent detoxification effects on the body, especially when consumed in raw form.
cauliflower.Indian Link
Next time you buy cauliflower, think beyond the traditional aloo gobhi or cauliflower pakoda. There are so many interesting and delicious ways in which you can use this vegetable. Try it as a delicious curried soup or roast it with a sprinkle of garam masala or use it as a mash instead of potato.
The recipe here is tempered cauliflower rice. This is a simple, no fuss dish drawing inspiration from the rice dishes of South India.

In South India, especially Tamil Nadu, there are so many kinds of rice dishes. Collectively referred to as ‘variety rice’ these are an everyday fare often eaten in the afternoons with just a side of pickle and pappads. Some of the famous ones include curd rice, sambhar rice, lemon rice, tamarind rice and coconut rice.

This cauliflower rice recipe is a take on the classic lemon rice. Instead of rice, we use the grated cauliflower kernels, flavour it with lemon juice and then add a tempering of spices.
There are so many ways you can use this tempered cauliflower rice. Have it as the main dish (like I did) with a side of pickle, pappads and salad or you could make a Buddha bowl with chickpeas and an assortment of roasted veggies. It is great as a filling for burritos – replacing the lime rice, or a nice accompaniment to your steaks (hugely cuts down the guilt factor compared to fries!).
And with the barbecue season upon us, this cauliflower rice also makes an excellent addition to grilled meat.
cauliflower rice.Indian Link

Tempered cauliflower rice

Ingredients
Note: Make sure that you only buy really fresh and good quality cauliflower, especially when you are using it as a raw food.
1 whole cauliflower; separated into large florets
2 tsp ghee/clarified butter
1 tbsp sesame oil
1 tbsp raw cashewnuts
1 tbsp raw peanuts
1 tsp mustard seeds
2 sprigs curry leaves
3 dry red chilli
1 green chilli, slit in half
½ tsp turmeric powder
Asafoetida/hing, a pinch
Juice of 1 lemon
Salt, to season
Method
Wash the florets well and dry completely.
In a food processor, blitz the florets to get the grainy, rice-like texture. If you do not have a processor, then finely grate the cauliflower.
Heat ghee and oil in a large deep pan; roast the cashew nuts and peanuts separately and keep aside.
In the same oil, crackle mustard seeds and then add curry leaves and dry red chilli.
Reduce heat and add green chilli, turmeric powder, asafoetida and the blitzed cauliflower.
Season with salt and add juice of ½ lemon. Mix well and toss on high heat for a minute or two and then remove from heat.
Taste and add more lemon juice if necessary.
Serve warm.
 

Speaking up for the voiceless

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Reading Time: 4 minutes

Using the power of spoken word poetry, Sukhjit Kaur Khalsa is tackling social issues head-on

Sukhjit Kaur Khalsa.Indian Link

She walks on to the stage and occupies it. Her clear, strong voice is marked with an expressive lilt. Her presence is electric, her voice commanding, and the connection instantaneous. Suddenly, it feels like I’m sitting comfortably at a dining table, watching an old friend hold court, instead of inside a theatre, attending a spoken word event.

“The conversation started at half past six,
when my strength would be tested as a practicing Sikh.
They saw a picture posted of me, parading denim shorts:
‘This is NOT appropriate clothing, please give it some thought!!”

Spoken word poet, Sukhjit Kaur Khalsa was born and raised in Perth and recently performed at Common Ground, a multilingual and multi-faith spoken word and poetry project by Multicultural Arts Victoria.
The first poem she wrote, ‘A dress/Address’ reflects the double standards applied to men and women and the gendered expectations in the Indian community. Feminism is something that resonates deeply with the 21-year-old, who moved from Perth to Melbourne six months ago to pursue a career of her own making.

Sukhjit Kaur Khalsa.Indian Link
Photography by Beanbo Design & Photography

“People think your 9 to 5 job has to suck!” she exclaims. “It doesn’t. If you love something and are good at it – go for it. I’ve been told that when it comes to boys and career, I have to settle. I won’t.”
Sukhjit didn’t settle and she made it into the finals of the National Australian Poetry Slam in 2014 with ‘A dress/Address’. Referring to the incident that inspired the poem, where she was pulled up by someone from her community for being dressed ‘inappropriately’ in shorts at the beach, she says that it made her realise how deep the gender divide was, and how many double standards exist.
“When you’ve been given such a loud voice, and when you have the confidence, you need to speak up for the voiceless,” she says, explaining her motivation.
Sukhjit wasn’t always the confident, self-assured person she is now.
“There’s a Punjabi word, ‘poonch’, which means tail,” she laughs. “Everyone in our community knew me as my mum’s tail because I would hide behind her clothes. I cried if anyone talked to me!”
That changed because of a teacher who encouraged her to do drama in year 6. “I hated it because it was so scary, but I realised that it was through drama that I could be whoever I wanted to be, and I started doing public speaking, became head girl, and put myself out there.”
It was this willingness to put herself out there and embrace opportunity that took Sukhjit Kaur Khalsa to a global leadership exchange in Prague, where a friend introduced her to the world of spoken word poetry. She was hooked.
“I though, O.M.G (Oh My Gosh), this is amazing. I have a politics degree – which is where all the advocacy and activism comes from – and I thought I could use spoken word poetry to address issues. There are a lot of hard things to talk about,” she says.
“Like domestic violence. It happens a lot. How do you address it without pointing fingers? Humour and satire; that’s the thing Australia uses to get messages across.”
Sukhjit Kaur Khalsa.Indian Link
Sukhjit also tackles issues of race. Her poem, ‘To Advance Australia Fair’, tackles what is it to be an “Australian of caramel descent”.

“Rockin’ up for my first job at Coles,
was like a scene out of Border Patrol.
Her plastic tag read, ‘Dorothy’.
Glasses corded, she hawked,
‘Do you have a VISA, honey?’
Caught in the truck’s light, I was like a squirrel, digging for my ‘MASTERCARD?’”

Speaking of this poem, Sukhjit says she was scared to perform it. “It sounded like I was complaining about people.”
She was also intruding on a traditionally male domain. “Women in comedy or theatre or spoken word talk mostly about love and sexuality. But ‘To Advance Australia Fair’ (about race) is what men tend to talk about.”
She continues, “A lot of guys get intimidated by my masculine traits. I’ve been influenced by my dad and brother.”
Her comic timing though, she gets from her mother. “My mum’s very animated. She knows how to work a room”, she grins.
Sukhjit Kaur Khalsa has already undertaken a wide variety of work for someone so young. She’s written for magazines, given talks, modelled for a body positive publication, presented her work at multiple spoken word competitions, raised funds for charity, and most recently facilitated eight weeks of workshops with budding spoken word artists that culminated in the Common Ground performance.
What’s next? “VCA (Victorian Colleges of the Arts),” Sukhjit grins. A formal qualification might seem redundant, but given her talent, versatility and passion, it will only be another accomplishment for someone doggedly determined to never just ‘settle’.
 

Hare Rama, Hare Krishna

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Reading Time: 3 minutes

ISKCON Melbourne celebrates Janamashtami

ISKCON Janamasthami.Indian Link
One of the biggest Hindu festivals, celebrated by more than 900 million devotees across the globe, Janamashtami celebrates the earthly appearance of Lord Krishna. It is also known as Krishnashtami, Gokulashtami, Sri Krishna Jayanti, Ashtami Jayanti or Saatam Aatham in various parts of India.

Why is Janamashtami celebrated?

According to Hindu mythology, Lord Krishna appeared at midnight, on the eighth day of the dark fortnight in the auspicious month of Shravana/Saavan in the Hindu calendar. He was born as the eighth son of Devaki and Vasudeva, in order to rescue the world from pain and suffering caused by the evil king, his maternal uncle, Kansa.

How Janamashtami is celebrated?

To commemorate this occasion, festivities begin before dawn and extend until the next day. On this day, many devotees fast until midnight, to seek Krishna’s blessings. Devotees perform Kirtan, Bhajans, Japa and sing and dance to holy hymns and tunes, overwhelmed with Bhakti Ras. After the completion of abhishek (deities are bathed in holy water, milk, saffron, rose petals, sandalwood and so on amidst chanting of hymns), sweets are offered to the Lord and distributed amongst all as prasad or bhog.
Janamasthami.Indian Link

Celebrations in Melbourne

His divine grace A.C. Bhakti Vedanta Swami Prabhupada founded the International Society for Krishna Consciousness (ISKCON) in New York in 1966. Since then, ISKCON has been instrumental in sharing the Vedic principles and propagating spiritual knowledge across the globe.
The Janamashtami event at ISKCON Temple in Melbourne, located at 197 Danks Street, Albert Park, began with evening prayers. The cultural program followed.
Janamasthami.Indian Link
Children of all ages participated in huge numbers and displayed their talents. The Vitthal bhajan mandal recited the hymns and prayers composed by Sant Tukaram, a poet and sage who lived in the 17th century and belonged to the bhakti movement in Maharashtra. A Kathak dance on Krishnakaliya prasang (the mythological story of the dance of Lord Krishna on a snake) by Ms Brinda, was then followed by a dance by Ms Meera on Meerabai bhajan.

The former Premier of Victoria Ted Baillieu and his wife graced the occasion, along with other dignitaries, Margaret Fitzherbert (MLC, Southern) and Craig Ondarchie (MLC, Northern). Rashi Kapoor (Victorian State Finalist for the Miss World Australia 2015) and Dr Subhash Sharma were also amongst those present.
Ted Baillieu Janamasthami.Indian Link
It was enchanting to see the former Premier chant the Mahamantra with all the devotees present in unison.

“Hare Krishna Hare Krishna Krishna Krishna Hare Hare
Hare Rama Hare Rama Rama Rama Hare Hare”

Bhaktadasa from ISKCON Temple thanked Mr Baillieu and his former advisor Nitin Gupta for the funding the Temple received from the Australian government. Their efforts ensured a capital approval for ISKCON, a bus stop at Durga Temple and the inclusion of Hindi in the curriculum. ISKCON is also hoping to build a Vedic school in Victoria and is working towards grants and approvals from government in the future.
The evening ended with the distribution of the prasada which included Sooji halwa (semolina pudding) tamarind rice, avial (vegetarian stew based in coconut gravy) and herbal tea.