fbpx
Sunday, April 11, 2021

Nitin Sawhney: Beyond Skin revisited at OzAsia

Reading Time: 2 minutes

Twenty years after he produced Beyond Skin, critically acclaimed musician Nitin Sawhney revisited his seminal album at Adelaide’s OzAsia Festival this year in a one-night-only event.

Sawhney’s beautifully reflective melodies span infinite territories in geography, genres of music, the migrant experience and most of all the human experience itself, unbounded by nation or skin colour. And so for this premiere performance of the 2019 OzAsia Festival, he seemed a perfect choice.

Nitin Sawhney

In Sunset vocalist Nicki Wells presented in mellifluous Bengali with Aref Durvesh on tabla, and Nitin Sawhney on the guitar and keyboard, while second vocalist Eva Stone let loose her powerhouse of a voice, this time in the western tradition of music. The juxtaposition of languages and music was magic.

Contrastingly, Moonrise had a distinct Arab flavour and Nicki made Arabic sound even more enticing with her strong yet melodious singing. No Nation pulled at the heartstrings with the loss of one’s land and then sublimated the experience into one of transcending geographic borders. There was Immigrants, Broken Skin, and a piece inspired by Nusrat Fateh Ali Khan’s kawwalis. A piece based on kathak and an Urdu ghazal by Nicki Wells completed the proceedings.

Anna Phoebe McElligott played a masterful violin with ease and aplomb, adding verve and beauty to every piece.

Nitin Sawhney: Beyond Skin
Nitin Sawhney: Beyond Skin

The audience was insatiable and after the artists had left the stage they had to come back with insistent demands for an encore.

Eva Stone and Nicki Wells sang, in Nitin’s words, ‘the cheerful Dead Man’, followed by the finale. Nitin on guitar and Aref on tabla brought the house down. Interestingly Nitin played the guitar in a manner I have seldom seen played – making it sound like a sitar.

The innovative addition of spoken word, films clips, historic speeches, sounds of nature, even elements of tukda, made it all wonderfully enjoyable.

It was a treat also to listen to Sawhney as he opened up about the creative process behind each number, giving us an insight into his award-winning music.

Nitin Sawhney made every second at the Festival Centre worthwhile.

- Advertisement -

Related Articles

LEAVE A REPLY

Please enter your comment!
Please enter your name here

- Advertisement -

Podcasts

Ep 9: What do young Indians want from love?

0
Growing up in Indian culture, most of us know that love has never been as popular as marriage. Even in the movies, the main...

Ep 8: Indian links in Indigenous Australian poet Ali Cobby Eckermann’s...

0
To celebrate NAIDOC week 2020 (between 8-15 November) I spoke to Yakunytjatjara poet Ali Cobby Eckermann about her time in India where she taught...

Ep 7: In the case of Sushant Singh Rajput

0
  The torrid and high-octane Sushant Singh Rajput case has been fodder for Indian people and press for the last few months. The actor’s tragic...
- Advertisement -

Latest News

Review: The Big Bull

0
Forget comparisons. Even if you willingly dismiss the idea of sizing up The Big Bull against Scam 1992: The Harshad Mehta Story, Abhishek Bachchan's...

The living art of India

0
  Immerse yourself in the colourful, vibrant and transformative arts of India. Over three weeks we will dive into a world where art is not...
man taking selfie

Selfie culture: what your choice of camera angle says about you

0
  Over the past decade, selfies have become a mainstay of popular culture. If the #selfie hashtag first appeared in 2004, it was the release of...
joji amazon prime

Review: Joji (Amazon Prime)

0
  Just when you'd think another fresh take on William Shakespeare's Macbeth couldn't possibly be done, comes Joji. Fahadh Faasil's new collaboration with director Dileesh...

An artistic feminist protest by Rakini Devi

0
  Born and raised in Kolkata, Rakini Devi has spent most of her artistic journey engaging with feminist issues, be it dowry deaths in India...